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Loudness in the Library – Roundtable
Hear Geek Girl Riot’s Sherin, Angie, Erin, and Meagan get together to discuss their favorite reads old and new, which characters they’re loving or hating right now, and get nerdy about all things wordy.
Hear Geek Girl Riot’s Sherin, Angie, Erin, and Meagan get together to discuss their favorite reads old and new, which characters they’re loving or hating right now, and get nerdy about all things wordy.
The Devil and God Are Raging Inside Me by Brand New has stood alone, unparalleled by any album in depth and sound, but today it is joined by Down In The Dark by Safe To Say.
Fallstar vocalist Chris Ratzlaff gives a track by track breakdown of the band’s new record, ‘Future Golden Age’.
You will come out of Blurryface a little shaken up with your view of music and the world overall a little bit shifted. But ultimately, what you will feel is satisfaction.
One of the greatest covers of all time graces this week’s (Un)covered: “Hurt”, originally by Nine inch Nails and covered by Johnny Cash.
Grab a blanket, a mug filled with a warm beverage, and find a quiet place. You won’t want a single distraction from the four songs of Front Porch Step’s intoxicating EP, Whole Again.
Even if you’re convinced that a band changing their sound is the worst thing that’s ever happened to you, it’s perfectly natural for someone’s music to develop and shift from album to album. But every once in a while, those shifts are so dramatic that the early work ends up sounding like it was released by an entirely different band than the more recent material.
The days may be long gone of rushing to the local record store, money in hand, to grab the latest radio hit’s 45rpm single, but the excitement of flipping that record over and discovering the non-album track that lay on the other side will never wear off. In this week’s Tuesday Ten, we’re exploring some of our writers’ favorite b-sides.
It’s easy to close a song by repeating the chorus or slowly fading the music out, but every once in a while a song comes along whose ending takes you somewhere completely unexpected.
How do you transform a tantalizing metalcore song into an eerie lullaby without losing an ounce of the emotion or the intensity? If we’re talking “Sleepwalking†by the scene-dominating British band Bring Me The Horizon, the only way is to have This Wild Life cover it.