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(Un)Covered: Skid Row (Downtown)
Brendon Urie and Dallon Weekes remind us that they were made to star on Broadway in this week’s (Un)Covered.
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Brendon Urie and Dallon Weekes remind us that they were made to star on Broadway in this week’s (Un)Covered.
Wonder Women, Wonder Women, all the world’s waiting for youuuu! Sing it with us now! Tonight we get into the new movie, so buckle up, because things are about to get deep, y’all.
Ramp up the rage with Foz Rants, then add to your To Be Read list with our spring YA roundup. Also, join Rejected Princesses creator Jason Porath, and Sherin and Alex to talk all things Steven Universe. Plus, hear from the Wonder Woman cast and crew.
“What I Like About You” Writers: Wally Palmar, Mike Skill, Jimmy Marinos Original Release Date: February 1980 Despite being released thirty-six years ago, “What I Like About You” has some staying power—it’s frequently used in pop culture to this day! Maybe you’re more familiar with the Lillix cover that was used in Freaky Friday and as the theme song to Amanda Bynes’ hilarious (and short-lived) show, What I Like About You, but the original song by The Romantics was a huge hit back when it first came out. And while I wouldn’t say they were one-hit wonders, personally I can’t… Read more »
“Callwood at the Cooler” is a new bi-weekly column which will see me waxing lyrical about events in the news, pop culture, and the etc.
We got some of idobi’s staff/biggest Brendon Urie fans together to talk about our favorite aspects of the new Panic! At The Disco album, ‘Death of a Bachelor’.
Thursday, March 19th I flew into South by Southwest this afternoon. Tonight, I strode 6th Street. amid the scene here in Austin. I felt a tension between, and within, the musicians, attendees, and the city. The dichotomy is an inclination toward indie values, opposed by the gravitation of commercialism. I realize this as I happen on IFC’s Fairgrounds, which features a music stage, interactive attractions such as a Velcro wall, and food trucks and a beer stand. It’s like a festival within a festival and it is a microcosm of SXSW. It’s an insular fantasy realm manifested by marketers and… Read more »
When you’re trapped in the hellish nightmare of a busy mall in December, it’s not unusual for the tinny sound of Christmas music to make you wish you would get trampled to death by a thousand frantic shoppers just to put an end to your suffering. Thankfully, hearing your favorite bands cover the same songs has the opposite effect.
Even if you’re convinced that a band changing their sound is the worst thing that’s ever happened to you, it’s perfectly natural for someone’s music to develop and shift from album to album. But every once in a while, those shifts are so dramatic that the early work ends up sounding like it was released by an entirely different band than the more recent material.
The temperature outside the Skyway Theater the night of the Panic! At The Disco’s Minneapolis show was a frigid zero degrees with a wind chill plummeting into the negatives. But that didn’t stop the hardy concertgoers of the Upper Midwest from filing up the venue before the show even started – just in time for Brooklyn’s X Ambassadors and California’s The Colourist to ignite the frozen winter evening with a fire that didn’t die down until long after Panic!’s headlining set had ended.
