The Rioters talk to Shadow & Act founder and filmmaker Tambay Obenson for a ‘Whachudoin’?’ segment, Sam gives her YA winter roundup, and Sherin and Philip dig into ‘Heathers’.
On our Geek Girl Riot 2017 special, we needed to talk about the amazing and the downright awful femme-driven news stories and we’re not holding back.
What better way to kick off a weekend than with new music? Featuring new tracks from Owl City, Louis Tomlinson, Ed Sheeran, and more.
Brendon Urie and Dallon Weekes remind us that they were made to star on Broadway in this week’s (Un)Covered.
Wonder Women, Wonder Women, all the world’s waiting for youuuu! Sing it with us now! Tonight we get into the new movie, so buckle up, because things are about to get deep, y’all.
Ramp up the rage with Foz Rants, then add to your To Be Read list with our spring YA roundup. Also, join Rejected Princesses creator Jason Porath, and Sherin and Alex to talk all things Steven Universe. Plus, hear from the Wonder Woman cast and crew.
“What I Like About You” Writers: Wally Palmar, Mike Skill, Jimmy Marinos Original Release Date: February 1980 Despite being released thirty-six years ago, “What I Like About You” has some staying power—it’s frequently used in pop culture to this day! Maybe you’re more familiar with the Lillix cover that was used in Freaky Friday and as the theme song to Amanda Bynes’ hilarious (and short-lived) show, What I Like About You, but the original song by The Romantics was a huge hit back when it first came out. And while I wouldn’t say they were one-hit wonders, personally I can’t… Read more »
“Callwood at the Cooler” is a new bi-weekly column which will see me waxing lyrical about events in the news, pop culture, and the etc.
We got some of idobi’s staff/biggest Brendon Urie fans together to talk about our favorite aspects of the new Panic! At The Disco album, ‘Death of a Bachelor’.
Thursday, March 19th I flew into South by Southwest this afternoon. Tonight, I strode 6th Street. amid the scene here in Austin. I felt a tension between, and within, the musicians, attendees, and the city. The dichotomy is an inclination toward indie values, opposed by the gravitation of commercialism. I realize this as I happen on IFC’s Fairgrounds, which features a music stage, interactive attractions such as a Velcro wall, and food trucks and a beer stand. It’s like a festival within a festival and it is a microcosm of SXSW. It’s an insular fantasy realm manifested by marketers and… Read more »
