A tiny Brooklyn, New York, record label is redefining the age-old battle of the punks vs. the suits. Go-Kart Records founder Greg Ross has a problem with the RIAA’s use of lawsuits to fight online piracy, so he began giving away music for free on Friday. First he wrote an open letter to the recording industry trade group, lambasting its take on the problem of illegal downloading. Then he posted six full albums from his latest signings on the Go-Kart Web site. The response has been overwhelming. “Our tech guy just told me we had 80,000 hits in one second… Read more »
Toronto’s Moneen are geared up for the long-awaited release of their Vagrant Records debut, Are We Really Happy With Who We Are Right Now?, which arrives in stores this Tuesday, June 17th. With a well-earned reputation as one of the indie scene’s most compelling live acts, Moneen will bring their progressive brand of rock to clubs across the U.S. when they launch their 17 city tour with Brand New, The Beautiful Mistake and Senses Fail on July 1st. On August 22nd, the band will embark on another string of dates with Reggie And The Full Effect, Midtown and My Chemical… Read more »
Nothing, and I mean nothing, soothes my anxiety more than a night drive. Windows down sailing along back roads with only the stars above for company. It’s peaceful. Soothing. And to top it all off, a perfectly crafted playlist. Curated over years and years for drives just like this, birthed from panic attacks that don’t know how to let go. They knot themselves up in your rib cage, squeeze your heart, and steal the air from your lungs. It’s agonizing, it’s maddening. The right playlist is a life raft in an ocean of uncertainty—a deep breath when the air feels… Read more »
A Kiss For The Whole World demonstrates how Enter Shikari still have the means to surprise, delight, and inspire after all these years.
It’s December 1968 and mother and daughter have returned to their lives in Boston.
Fang Island’s newly-released Major hovers somewhere between anthemic rock and gentle indie music, never quite defining itself strongly as any particular genre. The result is an album that simply slides over the senses, leaving a vague impression but failing to pack enough power to warrant repeated plays.