The Brooklyn-based math rock connoisseur, Jhariah has released their highly-anticipated new song, “RISK, RISK, RISK!” today. Sonically, this track is a HELL of a song. It is rare for an up-and-coming artist to successfully blend so many different soundscapes and influences into one track, but Jhariah does it and does it perfectly. It is glaringly obvious that they are making a big splash into the alternative rock scene, and this new song cements their place at the table. Alternative rock is a severe understatement though. There is not a box that Jhariah can be put into. They impressively fuse dance-punk,… Read more »
Few songs in the modern alt canon are as instantly recognizable—or as frequently reimagined—as “I Write Sins Not Tragedies” by Panic! At The Disco. With its cabaret flair, Brendon Urie’s theatrical vocals, and that unforgettable “closing the goddamn door” hook, the track has inspired countless reinterpretations across genres. Don’t close the god damn door… on missing When We Were Young 2025! Enter to win FREE tickets to the sold-out Saturday show from idobi Radio. Download the always-free idobi app to enter—and score bonus entries by posting your best “closing the god damn door” video. Tag a friend and @idobiRadio, follow… Read more »
Legendary prog-rock mainstays Coheed & Cambria are currently on tour celebrating their iconic fourth LP; hitting The Rooftop at Pier 17.
The Mars Volta have announced another string of North American tour dates to kick off September 13th in Minneapolis, MN and wrap up October 11th in Salt Lake City, UT. This headline tour will follow their world tour, spanning the entirety of spring and summer 2023. This news comes after the post-prog-rock group released the album Que Dios Te Maldiga Mi Corazón, a complete acoustic re-working of their 2022 reunion album, The Mars Volta, last week. This album was their first LP in a decade. The band is made-up of lead singer Cedric Bixler-Zavala and guitarist-producer Omar Rodriguez-Lopez. The two formed the group after the… Read more »
Apostasy jumps from fast to slow, genre to genre, style to style, at a moment’s notice—but this is in no way a bad thing.
With Mind Over Matter, Young The Giant have transformed from lovable indie rockers to arena-worthy warriors.
