Following the release of their two new singles from the summer, as well as a recent band documentary, L.S. Dunes is releasing a forthcoming demos record Lost Songs: Lines And Shapes. The LP will feature eleven demo tracks of their original Past Lives songs, giving listeners a look at how the modern rock quintet built their major debut record. Lost Songs: Lines And Shapes will be out November 10, and is currently available for pre-order on the L.S. Dunes merch store and Fantasy Records’ official store. Giving fans a taste of what’s to come, the band released their demo of… Read more »
What a time to be an emo kid. With nostalgia in vogue, scene kids like ourselves are begging for another chance to live out our Warped Tour fantasies. The days of thick rubber bracelets with “I Love Boobies” imprinted into them, free meet-and-greets at the merch tent, and a day chock-full of heavy-hitting acts in the alternative space. Luckily, When We Were Young Fest is filling this void for the second year in a row with another incredibly stacked lineup. From legacy headliners like Green Day and blink-182 to next-generation acts like Magnolia Park and Games We Play, the second-annual… Read more »
L.S. Dunes has been sharing new tunes, dropping band documentaries, and now they’ve released a new music video for “Old Wounds.” Created by @iammethisisi, an AI artist, the video shows scenes of fire, astronauts, UFOs, and more. The color palette of the music video is akin to the cover art of The Smashing Pumpkins’ Mellon Collie and the Infinite Sadness. Check out the new music video below. When the teaser video initially made its rounds on the band’s social media, fans were dismayed, overall rejecting the notion that AI art is ethical and/or worthwhile. In response to the backlash, L.S.… Read more »
Evanescence have thrown things back 20 years with a previously unreleased demo version of their iconic track ‘Bring Me To Life’!
Youth Fountain have shared a personal track that they have pulled from the archives in the form of “Roses In My Backpack”.
Frank Carter & The Rattlesnakes are kicking off a new chapter by looking back to lost tracks with their new album ‘Dark Rainbow’.
Today is a big day for Lil Lotus. The pop-punk artist and rapper just announced his sophomore record nosebleeder, which will be released on December 1 via Epitaph Records. Giving fans a taste of what to expect, Lotus just dropped the title track, which grapples with themes of mental health and addiction through a rock-forward arrangement. Combining harsh background screams with driving guitar rhythms, “nosebleeder” is an elevated new take on the artist’s dynamic sound. Produced by pop-punk masters Mike Pepe (Taking Back Sunday, Charlotte Sands) and Matt Malpass (blink-182, nothing, nowhere.), we can expect this second full-length to be… Read more »
The Dillinger Escape Plan aren’t set to reunite any time soon, but that doesn’t mean they aren’t being offered the big bucks to consider it!
Now more than ever, we need female role models in rock music. That is, women who raise their voices onstage and off to give the next generation of artists the confidence to stay true to who they are and write songs that reflect that. The road can sometimes feel rocky, and there will always be criticism, hate comments, comparisons, and misperceptions. But it’s about turning those challenges into something honest and beautiful that will help break the glass ceiling. Nashville-based pop-punk songstress Taylor Acorn is cutting out the noise and writing about her journey as a female artist on her… Read more »
As the leaves change and cuffing season begins, we all need more love songs in our lives, and Boys Like Girls is filling this void with their hopelessly romantic new single, “NEW LOVE.” Marking the band’s fourth single off their forthcoming record, SUNDAY AT FOXWOODS, “NEW LOVE” highlights Boys Like Girls’ unique brand of shimmering pop-rock with traces of country twang. It’s an endearing and bright-eyed picture of what it’s like to find your other half and the lengths you go to treasure it. Frontman and creative visionary Martin Johnson explains the song’s origins in a statement and the experience… Read more »
