Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week breaks down the history and influence of the Dead Kennedys.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about Ice-T and Body Count.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about the rise of straight edge.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week shares some musicians’ opinions on today’s politics.
An old-school family adventure comedy complete with quicksand.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about the new UK prime minister Boris Johnson.
Picture this: It’s a humid 90 degrees and you’re on a rooftop in New York City with 3000 other people. On one side is the Manhattan skyline; on the other Brooklyn. Everyone is turned toward a stage—the Brooklyn Bridge visible just behind it. On it, a band dressed in pink stands. One of the members holds up a sign that says “We Are All the Same” and the crowd screams. Welcome to Sad Summer Fest 2019, the tour of your dreams that will undoubtedly replace the Warped-size hole in your heart. Outside NYC’s Pier 17—a fantastic venue with a couple… Read more »
The series has announced what can only be called a dream cast, including Phoebe Dynevor, Regé-Jean Page, Jonathan Bailey, and more.
Basslines and Protest Signs is Brett Callwood’s new column looking at the intersection of music and politics. This week talks about conservative punks.
Peter Parker just wants to go on a Eurotrip and to *just maybe* tell M.J how he feels. Haha. Nice try.
