San Diego Comic Con Fried Our Brains
SDCC happened last weekend, and we’re only just recovering.
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SDCC happened last weekend, and we’re only just recovering.
We’d say our favorite sad boys are back—but we know better than anyone that this is about more than that.
idobi photographer Audrey Lew spent the day with Kevin Burke before he opened for the Marshall Tucker Band at The Paramount on Long Island.
As Cities Burn prioritized signing a record deal over everything, and somehow were still surprised when things didn’t work out the way they thought they would.
Black Lines is difficult to get a grip on, because it’s so emphatically different from anything Mayday Parade has ever done. It’s nothing like the kind of “happy heartache†pop-rock a listener might come to expect. It’s much more aggressive, but worth hearing.
From start to finish, The Technicolors latest releast modernizes rock ‘n’ roll without losing it’s message or sound.
Strangers To Ourselves is a solid, standard, Modest Mouse record. If you’ve grown to love the twangy twang of Brock’s voice paired with soaring notes on delay, then this record will easily slide into your current rotation…
Star Wars-inspired band Anakin delivers a a smart, well-written rock record about space with Celestial Frequency Shifter – proof that you can completely nerd out over your passions and still be taken seriously.
Yellowcard made true on their intent to go where they’ve never gone before with Lift A Sail. Despite being around for almost 20 years now, the band still continues to challenge and reinvent themselves.
New project from Good Charlotte’s Joel and Benji Madden, The Madden Brothers, proves yet again they’re brilliant songwriters who know just how to hook us in, whether the genre’s pop, folk, acoustic, or anything in between.
