Basslines and Protest Signs is Brett Callwood’s new column looking at the intersection of music and politics. This week examines the rise of political punk in the US.
A Loss For Words modernizes a Jackson 5 classic in this week’s (Un)Covered.
idobi photographer Audrey Lew spent the day with Seaway before their New York City show at Webster Hall.
Boat Race Weekend’s pop-punk/emo EP is the perfect autumn album.
Fallstar vocalist Chris Ratzlaff gives a track by track breakdown of the band’s new record, ‘Future Golden Age’.
While “Teenage Dream†was playing what seemed to be every fourth song on the radio in 2010, The Wonder Years were quietly cultivating a fanbase of kids that felt less “you make me feel like I’m living a teenage dream†and more “I’m not sad anymore, I’m just tired of this place.â€
We compiled a list of special artists we think rule and labels should be paying attention to.
Winter sucks. And some days, there’s just no point in trying to fight it; all you want to do is curl up under the covers and break out your favorite angsty music while preparing for hibernation. That’s why our writers have prepared a two-part playlist dedicated to the winter blues; check out part one this week!
It’s that time of year again where we’re faced with the near-impossible task of choosing our favorite releases from another stellar twelve months of music. After even more complicated math and science than last year, we’ve finally arrived at our top ten records of 2014—find out what made the list and why we fell in love with them!
The holidays are here! For the month of December, we’ll be looking at two Christmas greats, old and new, and some of the best covers in between. First up? A personal favorite: Mariah Carey’s “All I Want For Christmas Is You.”
