Everyone has that one song they hope to hear from their favorite band at a live show. Sometimes we get lucky and our favorite track is one of their hits, other times our favorite track isn’t as popular. Perhaps a b-side that rarely gets any love on the stage or a tune from an older album that hasn’t seen a spot in the setlist in years. A festival with a line-up as stacked as When We Were Young, there is potential for a load of surprises. Bands and artists tend to get a little weird as festivals. We crafted a… Read more »
Pierce The Veil are offering you the chance to own a piece of scene history, the briefcase that they and Kellin Quinn brought on stage at When We Were Young for “King For A Day”.
Today we talk about the life of Gilbert Gottfried, a new Harlem Festival of Culture, and an update on the subway attack in Brooklyn. Remembering Gilbert Gottfried We lost a great comedian and perhaps one of the most distinguishable voices in the entertainment industry yesterday. Gilbert Gottfried died at 67 after battling type II myotonic dystrophy for a long time. This is a type of muscular dystrophy that is rare and has no cure. The disease led to heart problems that ultimately took his life. His family posted the announcement on their socials saying, “We are heartbroken to announce the… Read more »
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about Big Bird getting vaccinated.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about cancel culture.
Why do they never think about “her” future?
Mornings suck less with music, it’s time to Rise Rock n’ Shine.
With pens and words as weapons, armored in skeleton bodies and faces, with uniforms of ski masks and Banned jackets; they bleed black and red. The MCRmy and clique fight not against each other but against conformity
We spoke to Cory Hiamovi and Chris Keranen of indie/alternative rock band Young Natives about songwriting, being independent, connecting with fans through their music, and more.
Good Charlotte know they aren’t the world’s most critically acclaimed band. So instead of trying to appeal to an audience bent on hating them, they’ve fully embraced their pop leanings on their new album, Good Morning Revival. The record finds the band in a much more comfortable place than 2004’s The Chronicles Of Life And Death, and they even seem to accept why so many people hate them. “I remember one of the first reviews I ever read about our band when we first came out, they were like, ‘They’re a manufactured band and they’ll be gone tomorrow,’” guitarist Benji… Read more »
