Slipknot are once again dealing out the mystery with the release of a discomforting new instrumental track “Death March”. And the video is creepy as it gets.
Headbangers and riff lovers rejoice, Currents are back with their third studio album The Death We Seek.
August Burns Red brings us their tenth studio album Death Below via SharpTone Records this week.
For nearly 25 years, Norma Jean has maintained their prominence in the metalcore scene with fans spanning generations and nine LPs to their name. It defies the precedent left by so many artists before them to think that Norma Jean is still touring strong behind a new record and loyal fanbase, without a single founding member left in the group. In 2002, when Norma Jean released their seminal debut LP, Bless the Martyr and Kiss the Child, they were already more than a decade ahead of their time with a record that foreshadowed evolutions in the genre. The band’s signature… Read more »
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week discusses metal and lyrics that depict violence against women.
Awake At Last takes us on a hell of journey resulting in their theatrical concept album.
Ryan, Jeff and Holly from Bloodstrike talk about the provocative artwork on their new release In Death We Rot, top albums and shows of 2015 and the first Metalix discussion of necrophilia.
Death Cab For Cutie are streaming their new album “Kintsugi” a week before its release.
The debate of the many subgenre distinctions of metal goes on, this time focusing on Japanese band Babymetal. In this editorial, Brad Lopez argues that metal fans are wasting effort attacking or defending Babymetal.
Dissonance In Design vocalist Stevie Boiser discusses Sentient, a progressive death metal science fiction concept album. Metalix airs Mondays at 9p ET on idobi Howl.
