Diary of 8123 Fest

February 21, 2017 | By Sam Devotta

From landing in Phoenix the day “Bad Behavior” came out, to standing in line for three hours to meet a band called The Maine, here’s one emotional recap of 8123 Fest.

Callwood at the Cooler #13

February 20, 2017 | By idobi Staff

“Callwood at the Cooler” isees Brett Callwood waxing lyrical about events in the news, pop culture and the etc. This week’s topics include: The Grammys, Lady Gaga, and embracing pop music.

Escape into the Weekend with The Bourgeois’ New Track

February 17, 2017 | By Alex Bear

The Tulsa trio’s new single “An Infinite Void” is a dizzy ode to indie rock, and will have you floating away right into the weekend.

Waterparks 101

February 17, 2017 | By Alex Bear

Settle in and take notes, because it’s time to learn everything you need to know to become a Waterparks fan in idobi’s 101 starter pack.

Fresh Pressed [new music friday] – 001

February 17, 2017 | By idobi Staff

What better way to kick off a weekend than with new music?

(Un)Covered: Time After Time

February 15, 2017 | By Sam Devotta

Cyndi Lauper has provided us with great songs to cover, time after time.

The Millenium Premiere Their Latest Single “Midnight Bones”

February 10, 2017 | By Sherin Nicole

“The song is about the temporary relationships we make while growing older, and learning not to regret something just because it only made sense for a small amount of time.​” – Matt Hasenmuellerm We’re not sure why The Millenium is hiding their faces on their promos and upcoming album cover—because their music is clear and present goodness. They […]

(Un)Covered: Girls

February 8, 2017 | By Sam Devotta

The 1975 meets Blink 182 in this week’s (Un)Covered.

Callwood at the Cooler #12

February 6, 2017 | By idobi Staff

“Callwood at the Cooler” sees Brett Callwood waxing lyrical about events in the news, pop culture and the etc. This week’s topics include:

“Opera” by RDGLDGRN feat. Method Man Sends a Powerful Message You Need To See

February 1, 2017 | By Alex Mayes

There’s no getting around how political this video is, which ties perfectly with the political nature of the song.