Entering the idobi Studios, Roe Kapara graced the space with an aura of anticipation and musical prowess, ready to share his artistry through two captivating live performances. The spotlight was cast upon his standout tracks “Everything’s Fine (Nuke Song)” and “Everyone’s Dying (Grandma’s Drunk Again),” carefully chosen from his debut EP I Hope Hell Isn’t Real, released under the reputable banner of Epitaph Records. These selections weren’t just songs but portals into Kapara‘s soul and hard work, revealing his unique musical identity characterized by the stripped-back arrangements and a poignant, vulnerable narrative. With the echoes of these compelling performances still… Read more »
Leading up to the release of their sophomore album Reflections, idobi had the opportunity to sit down with Caskets’ frontman Matt Flood to delve into the band’s creative journey. Their debut album, Lost Souls, came to life during the pandemic, a time of uncertainty and innovation. Flood reflects on this period, discussing how the unexpected lockdown found the band in a shed recording everything on the debut collection. This experience, although unconventional, taught them valuable lessons in resilience and adaptability before venturing into their sophomore LP. Across Reflections, it’s evident that Caskets forged unity amongst themselves, allowing for a more… Read more »
VOILÀ, the rising musical duo comprised of Luke Eisner (known for Netflix’s ‘Tall Girl’ franchise) and producer Gus Ross, has unleashed their latest collaborative gem, “Nevergreen.” This entrancing composition features the captivating vocals of Kellin Quinn, renowned for Sleeping With Sirens. As a preview to their eagerly-awaited sophomore album, The Cure For Breathing, slated for release on September 15, “Nevergreen” is a declaration of VOILÀ‘s ability to seamlessly marry their signature alt-pop-infused sound with Quinn’s seasoned artistry. “Nevergreen” is a sonic treat that exemplifies the evolving musical synergy of VOILÀ. With this track, the duo provides a glimpse into their… Read more »
Intricately woven and deeply personal, the self-titled release from Sundressed offers an intimate glimpse into the inner workings of frontman Trevor Hedges‘ creative psyche. This artistic endeavor was first set into motion back in 2012 when Hedges embarked on a musical journey under the moniker Sundressed as a means to navigate his own journey of sobriety. Yet, as the sands of time have shifted, so too has the project’s purpose, morphing into a resonant platform that seeks to address critical matters, particularly within the realm of mental health, all while fostering a profound sense of community among its listeners. The… Read more »
Just ahead of the release of their seventh studio album Hard Reset, The Word Alive frontman Telle Smith stopped by the idobi Studios in North Hollywood and told me why the latest era of the band truly is a… hard reset. From a recent lineup change to signing with Thriller Records—a new label created by Fearless Records founder Bob Becker—Hard Reset is inspired by self-reflection in a shut down world, a fresh start within the band’s camp, and a new perspective for Smith following a healthy break-up. The Word Alive have taken their years of experience within the… Read more »
As Fall Out Boy‘s enchanting So Much For (Tour) Dust draws to a close this weekend on August 6, a special guest and old friend graced the stage last night at Forest Hills Stadium in Queens, NY. While the band flawlessly sailed through their initial 16 tracks, Gym Class Heroes‘ charismatic frontman, Travie McCoy, joined the ensemble for two cover performances. The first rendition was Gym Class Heroes and Adam Levine‘s 2011 hit “Stereo Hearts,” delivered with an ingenious twist. Fall Out Boy‘s lead singer, Patrick Stump, set the stage with a piano introduction, passionately delivering Levine’s iconic opening lines,… Read more »
Last night’s headlining performance by Paramore on their This Is How Tour in Los Angeles etched itself in music history as it became even more extraordinary with the sensational surprise appearance of Billie Eilish. This wasn’t the first time these two powerhouse female artists shared the stage. In 2022, Eilish welcomed Paramore‘s vocalist, Hayley Williams, to join her for an electric rendition of the pop-punk group’s smash hit “Misery Business” and later returned the favor as Williams performed Eilish‘s soul-stirring track “Happier Than Ever” at Coachella. After delivering an explosive 19-track set last night, the band exited the stage, leaving… Read more »
Better Lovers played their first ever shows, two back-to-back, in Buffalo last week. It was absolute chaos, to say the least.
Better Love is a trio who consistently craft beautifully forged and immensely catchy songs that will soon put them at the forefront of the indie-pop scene. Today they have unveiled their debut album I Don’t Want To Make It Hurt via Secret Friends Music Group. Upon first listen, it is palpable that the collection of songs are more than just an album. A journey through the human experience, the effort showcases the group’s ability to connect to the vulnerability and yearning for growth that lives inside all of us. Singer and multi-instrumentalist Jackie Heuser, guitarist Brad Harvey, and drummer Kay… Read more »
Florida-based band 408 is back with an explosion of fiery pop-punk bangers. Generational, is a collection of songs you would find playing in the background of your favorite early-2000s coming-of-age movie. Including their beloved TikTok single, “We Don’t Get High Like We Used To,” the EP proves that they are more than content creators. They are artists in their own right, blending the goofy energy and relatable lyrics of blink-182. Their influence glimmers through every track. A standout track on the EP is “Carousel,” which highlights a surprisingly Midwest emo sound. It’s an emotional end to the project about being left… Read more »
