Following the release of single “Bloodlust,” UK hard rock act Acres are back with “Staring At The Sun,” set to appear on their forthcoming LP The Host, due out on May 2 via Solid State Records. Lead vocalist Ben Lumber says, “‘Staring at the Sun’ is a classic miserable Acres love song. The record goes in a brand new direction, but we wanted a few songs to nod to our roots with remnants of our old vibe. It’s about not being able to let go of someone or something who has a hold over you.” He continues, “The Host represents a bold step in… Read more »
Acres just dropped a cinematic, deliciously devilish new music video, “Bloodlust.” On top of this release, the quartet also announced their forthcoming seven-track album, The Host, is set to arrive on May 2 via Solid State Records. Singer Ben Lumber explains, “‘Bloodlust’ is a track about a toxic relationship between you and addiction, we call ‘The Host.’ It’s about giving in and giving up to it. You know it’s bad for you, but you can’t live without it. It’s the perfect way to start the record, a first peek into the downward spiral of letting the host in and letting… Read more »
UK-based rockers Acres have returned with their new single, “Deadweight.” And that’s not all, the act announced that the track is part of their forthcoming EP, What It’s Like To Feel Worthless. The five-track collection is set to arrive on October 25 via Solid State Records. It boasts previously released singles “A Different Shade Of Misery,” “Lost,” and “Deadweight.” Acres vocalist Ben Lumber shares of their new single, “When writing ‘Deadweight,’ we were really conscious keeping all the elements of what we’re known for but also welcoming in the new sound. It’s cathartic and anthemic.” He adds, “Lyrically, it’s almost… Read more »
Miss May I is back with a new version of “Architect,” and this time, they reimagined their track with Currents vocalist Brian Wille. In mid-July, the band announced their signing to Solid State Records and announced their 15th anniversary re-recording of their 2009 full-length, Apologies Are For The Weak. Plus, they shared their reworked version of “Forgive and Forget” with Fit For A King’s vocalist Ryan Kirby and bassist Ryan “Tuck” O’Leary. The full re-recorded album featuring the likes of The Word Alive‘s Telle Smith, Silent Planet‘s Garrett Russell, and beyond arrives on August 23. “This was one of the first songs we ever wrote as… Read more »
Miss May I fans have been flooded with good news today! After inking a deal with Solid State Records, the metalcore mainstays have announced the 15 year anniversary re-recording of their 2009 full-length, Apologies Are For The Weak. In addition to the re-recorded album, which will include special guest appearances on each track and arrives on August 23, the group has issued the first preview with “Forgive And Forget.” The reimagined recording sees Fit For A King’s vocalist Ryan Kirby and bassist Ryan “Tuck” O’Leary on the release. “When it came to choosing which song went best with each one… Read more »
Silent Planet is in their A24 era with their new music video for their track, “SUPERBLOOM,” out via Solid State Records. The band says they were inspired by the horror flick Midsommar and the Heaven’s Gate cult when it came to the narrative. They also recruited actor Jenna Kanell, who starred in the first Terrifier movie. Read more: Maggie Lindemann Announces Her Second EP, ‘HEADSPLIT’ “We decided to make a video around an alternate interpretation of our title track, ‘SUPERBLOOM,” the band says. “A bunch of our listeners came along as extras. We feel that this video is our best… Read more »
Silent Planet have announced the details of their new album ‘SUPERBLOOM’, an expansive and extraordinary addition to their stunning story.
Wolves At The Gate have announced the details of a new covers album, featuring plenty of emo, nu-metal, pop and rock classics!
Wolves At The Gate have paid tribute to fellow Columbus natives Twenty One Pilots with a rip-roaring cover of their gigantic track “Heathens”.
Taking place several stories beneath the bustling Times Square, The Devil Wears Prada laid waste to New York’s The Palladium, delivering a ferocious set to a packed house
