Editorial
(Un)covered: The New Year
Happy New Year! This week’s feature rings in the first day of 2015 with a closer look into “The New Year” by Death Cab For Cutie, and the cover by Jake Ewald of Modern Baseball and Kiley Lotz of Petal.
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Happy New Year! This week’s feature rings in the first day of 2015 with a closer look into “The New Year” by Death Cab For Cutie, and the cover by Jake Ewald of Modern Baseball and Kiley Lotz of Petal.
Talking In Your Sleep crushes all uncertainties and proves this powerful collaboration, with a brazen aptitude for musical experimentation, is certainly a force to be reckoned with.
Here’s what some of Anthm’s favorite artists had to say about those great tunes they wish they’d been responsible for.
Since disbanding A Rocket To The Moon last year, Nick Santino has been one busy guy.
2014 was a wonderful year for music, but it was also a wonderful year for forgetting that it was 2014. With so many of this year’s releases wearing their nostalgia for musical eras past on their sleeves, it seemed easier than ever to pick up a record that immediately whisked you back to the decade of your choosing despite being less than twelve months old.
Christmas is around the corner! This week we’ve got the timeless classic “Santa Baby†by Eartha Kitt, covered by the Christmas king Michael Buble, plus a cool and creepy but not as festive version from VersaEmerge, who currently go by VERSA.
When you’re trapped in the hellish nightmare of a busy mall in December, it’s not unusual for the tinny sound of Christmas music to make you wish you would get trampled to death by a thousand frantic shoppers just to put an end to your suffering. Thankfully, hearing your favorite bands cover the same songs has the opposite effect.
Grab a blanket, a mug filled with a warm beverage, and find a quiet place. You won’t want a single distraction from the four songs of Front Porch Step’s intoxicating EP, Whole Again.
This year has been a roller coaster for the guys of Man Overboard, but great pain inspires great music, and Passing Ends is the perfect representation of that.
Nonpoint are back and out for blood, with a sound that’s more ferocious than ever. If they once paled in comparison to their counterparts, those days are long gone, and the proof comes in the form of their latest and greatest effort, The Return.
