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Epic Artists Spring Into 2002 With Highly Anticipated Releases


As Epic Records commitment to artist development continued to flourish in 2001, Epic will bring an entirely new group of exciting artists to the stage in 2002. The Epic team will work as one cohesive unit towards our common goal: helping our artists rise to the top of the marketplace. EPIC RECORDS 2001 RECAP Flickerstick – Winners of the breakthrough VH1 series Bands on the Run released their major label debut Welcoming Home The Astronauts. The album was re-mixed by Tom Lord Alge (Weezer, Blink-182, Marilyn Manson) and includes two new songs, “Execution By X-mas Lights” and “Smile.” Flickerstick will… Read more »

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U.S. imposes sanctions on Ukraine in CD piracy row


The United States on Thursday imposed sanctions on $75 million worth of metals, footwear and other goods from Ukraine in retaliation for piracy of music compact discs and other optical media products in that country. The action, which takes effect Jan. 23, follows repeated U.S. warnings over the past two years that Ukraine could face sanctions unless it cracked down on the illegal copying. “The United States is moving forcefully to protect its rights,” U.S. Trade Representative Robert Zoellick said in a statement. “We hope Ukraine will now redouble its efforts to deal with intellectual property rights and pass the… Read more »

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System Ready "Toxicity" Video


System of a Down are on a Los Angeles soundstage shooting a video for the title track to their near-double-platinum second album, Toxicity. Bassist Shavo Odadjian is taking his first turn as director with the aid of veteran Marco Siega, who, in addition to helming clips for Blink-182 and Papa Roach, also crafted System’s TRL standard, “Chop Suey.” The prog-metal quartet has recalled the 200 black-clad fans who populated the “Chop Suey” video to mosh on command for this latest clip. The notion of fan involvement in a video is nothing new to Odadjian. Back in 1993, a young Shavo… Read more »

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Vivendi's Messier seeks credibility in U.S.


When Jean-Marie Messier, the deal-hungry chief of media giant Vivendi Universal, snapped up Seagram and its vast array of entertainment assets last year, the cynics came out in force. How would Messier, a former French banker and civil servant with no experience in the cut-throat and idiosyncratic world of Hollywood, succeed where outsiders had always failed before? And how would the Franco-American conglomerate, with no distribution outlets in the United States to speak of, match the profit potential of rivals like AOL Time Warner Inc., Walt Disney Co. and Viacom Inc. In recent days, Messier has made an ambitious attempt… Read more »

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Sun Records rocks again with new documentary, album


Sam Phillips demurs when it’s suggested that rock ‘n’ roll was invented at his Sun Records label during the 1950s. But he does acknowledge there was a whole lotta shakin’ going on in Memphis thanks to the music he created there with the likes of Elvis Presley, Johnny Cash, Jerry Lee Lewis, Carl Perkins, Roy Orbison and others. “I do know this – it changed the world and it opened up a lot of doors,” Phillips said in a recent interview. “I’m happy we were able to contribute, at least in my opinion, to what music has done and is… Read more »

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Hanks fronting 'Rockstar' bio at DreamWorks


Tom Hanks is in negotiations with DreamWorks to topline and produce the studio’s project “Comrade Rockstar,” based on the life of the late rocker Dean Reed. Born in Denver in 1938, Reed moved to Hollywood at a young age and landed a recording contract with Capitol Records by the time he was 20. However, he never rose to the kind of fame in the United States that he found in other countries, prompting him to move to South America, where he became known as “the Red Elvis.” After several albums, movies and television appearances, Reed moved on to Rome and… Read more »

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Diller thriller keeps Universal on edge of its seat


The tension is palpable at Universal Studios as USA Networks CEO Barry Diller considers merging his media empire with the studio’s Vivendi Universal parent. “All we know for sure is that Barry Diller is going to be a helluva lot richer a week from now,” said one senior studio executive who was about to attend the Universal Christmas Party. Vivendi Universal, seeking an elusive U.S. distribution outlet for its array of television and film assets, said on Tuesday it was in talks to buy the entertainment assets of USA, which is about 40%-owned by the French company. Whatever Diller does,… Read more »

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Ribald Rockers Spinal Tap, Tenacious D Team Up For Charity


Tap the kegs and round up the groupies – two of the biggest champions of rock and roll excess will take the same stage for the first time later this month. Spinal Tap and Tenacious D will play the House of Blues in West Hollywood on December 20, a sure-to-be-memorable evening that will bring together such classic anthems as “F– Her Gently” and “Sex Farm.” The show is a benefit for the United Mitochondrial Disease Foundation, according to the D’s spokesperson. Mitochondrial diseases are hereditary disorders that affect a cell’s ability to produce life-sustaining energy. The UMDF’s mission is “to… Read more »

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MusicNet Launches Today on RealOne Music


For the first time, consumers can access MusicNet, a digital distribution platform for streaming and downloading music, through RealOne(TM) Music starting today. In development for more than a year, MusicNet combines the music catalogs of major and independent record labels – which now include Warner Music Group, BMG Entertainment, EMI Recorded Music, and Zomba, with media delivery technology from RealNetworks ® to create a subscription-based technology platform. MusicNet will continue to add music to the service over time, providing customers with a broad selection of content. MusicNet is based on RealNetworks’ RealSystem(TM) iQ and RealSystem Media Commerce Suite which provide… Read more »

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Most record labels' downloadable tunes won't be mobile


With only days to go before the top music companies start selling music online, they appear unwilling, at least initially, to support most of the digital music players currently sold. Analysts have dim expectations for the new ventures because their music will remain largely chained for now to the computer desktop – and only for as long as subscribers pay to “rent” it. “What’s the use if I’m going to have it on my desktop and I can’t take it with me?” says Jackie DeLeon, 26, a student housing coordinator at the University of Illinois-Chicago who uses her portable MP3… Read more »

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