This past weekend’s When We Were Young Fest sizzled under the scorching sun in Las Vegas, NV, as it kicked off on Saturday, October 21, and emerged as the ultimate pop-punk playground for fans of all generations. In contrast to last year’s weather-related cancellation on the first day, this year’s festival ran seamlessly, cementing its place in the annals of pop-punk history as a spirited showcase of pop-punk prowess. Read more: Green Day Announces New Album ‘Saviors,’ Releases New Single Featuring a riveting lineup that ranged from rising stars such as Beach Bunny, KennyHoopla, and Jean Dawson to seasoned pop-punk… Read more »
Coming off of back-to-back thunderous headlining performances this weekend at When We Were Young Fest, Green Day has announced the release of their forthcoming 14th album, Saviors, set to arrive on January 19, 2024. Setting the stage for their much-anticipated full-length is the album’s opening track and lead single, “The American Dream Is Killing.” This powerful anthem, which was previewed extensively during three unforgettable performances in Las Vegas, NV, has officially dropped with an accompanying film noir apocalyptic music video replete with zombies taking over the world. Read more: blink-182 Announces North American Tour With Pierce The Veil Reflecting back… Read more »
While fans eagerly anticipated blink-182 to debut their aptly titled new single “WHEN WE WERE YOUNG” during the trio’s first headlining performance at When We Were Young Fest, patience is still the name of the game. An opportunity to close out the festival during tomorrow night’s headlining performance with the track? We’re keeping our fingers crossed! Yet, the iconic trio did not disappoint as they delivered an electrifying performance, showcasing a medley of hits from their storied 20+ year career, along with fresh tracks from their recently released full-length album, ONE MORE TIME… The crowd erupted in excitement as blink-182… Read more »
Fans of pop-punk masterminds Knuckle Puck might just be experiencing one of their favorite autumns to date. Not only is the band about to embark on a thrilling tour in November following their sets at When We Were Young Fest, but today, Knuckle Puck released their fourth full album Losing What We Love out via Pure Noise Records, as well as the official music video for the track “You & I.” The quintet says, “‘You & I’ is a song about being acutely aware of how much somebody sucks as a person and looking forward to cutting ties with them.”… Read more »
The chemistry between YUNGBLUD, the mastermind that is Dom Harrison, and Bring Me The Horizon’s Oli Sykes is undeniable. Marking their second collaboration together following 2020’s “Obey,” the two enigmatic vocalists have teamed up once again for “HAPPIER.” Last week, YUNGBLUD began teasing the collaborative track with a sped-up soundbite of the chorus featuring the lyrics, “If I could tell you how I feel/I know that you’re still hurting too/No I’m not broken/I’m just scared to belong here, scared to be happier,” with the first half of the chorus courtesy of Sykes. While BLUD didn’t reveal Sykes’ involvement at the… Read more »
Sweden’s premier emo band, Tribe Friday, is bringing their sophomore album, Hemma, to every alternative fan who needs to feel a little closer to places that shaped them. In fact, “hemma” in Swedish translates directly to “home.” Noah Deutschmann (vocals/guitar), Zack Liljeberg (drums), Isak Gunnarsson (guitar), and Robin Hanberger Pérez (bass) all confronted how this word has morphed with maturity. Following up their shimmering and sonically sweet debut, the quartet are tuning into their true-to-from emo roots, pulling back the bright instrumentals slightly, but not sacrificing their signature ethereal vocal styling. With singles preceding Hemma such as “Swimsuit” and “Day… Read more »
Marking their first new music since August 2022’s self-titled EP, Have Mercy has unveiled their soul-stirring new single, “Alive.” This captivating track is a sneak peek of what’s to come on their upcoming album, NUMB, which is scheduled to arrive via the group’s new label, Rude Records, on December 8. Embarking on a journey back to their roots, “Alive” is an examination of feeling ensnared in a toxic relationship with nowhere to turn or escape to. The song unfurls in an array of meticulously constructed drum fills and guitar work, creating a powerful backdrop for vocalist Brian Swindle’s gut-wrenching opening… Read more »
Wake up, Parxies! Waterparks just dropped a vivid music video for their new single “SNEAKING OUT OF HEAVEN.” Staying true to their love of experimental imagery and primary colors, it is a fantastical visual pairing to the song’s synth-pop sensibility. Marking their first single and music video release since their LP, INTELLECTUAL PROPERTY, the trio proves that they are continuing to put the utmost attention to detail into their creative vision and branding. From sped-up and stop-motion performance clips to close-ups of Awsten Knight in the grass and lit by a uniquely colored sunset, it feels like the viewer is… Read more »
It has been a monumental week of changes for Anberlin. While change can be scary, that’s how you know it’s worth it. Earlier this week, the alternative rock band announced that their longtime frontman, Stephen Christian, will be stepping down from his role for the foreseeable future. While this is not a permanent change, Anberlin remains transparent with their fans regarding this new era of music and touring. “After being in this band for 20 years, we’ve really noticed that the only constant is change,” the video begins. “There’s so many different eras of Anberlin from ending in 2014 to… Read more »
Love doesn’t always feel like there are butterflies in your stomach. In fact, the emotions can feel so overwhelming that it’s like you’re diving headfirst into the concrete every time they say your name. LØLØ is expressing this relatable sensation in her latest single, “faceplant.” Co-written by Grammy-nominated writer Mike Robinson and pop-rock songstress Marisa Maino, the track is reminiscent of early 2000s guitar-driven bangers such as “The Middle” by Jimmy Eat World but adds a modern pop production. It encaptures LØLØ’s “take-no-prisoners” attitude and fiery writing perspective through fun vocal delays and unexpected harmonies. Just take a look at… Read more »
