News

House Parties Unveils Pop-Punk Anthem “Mid-Life Crisis” Ahead Of EP Release


Ahead of their Side Effects EP, House Parties is unleashing their brand-new track “Mid-Life Crisis” paired with trippy new visuals. The song follows their October release “Braindead,” a fiery track featuring the one and only Derek DiScanio of State Champs as a producer. In fact, he produced the whole House Parties Side Effects EP alongside Seth Henderson. If you loved “Braindead” or early 2023’s “CAUTIOUS,” you have to add “Mid-Life Crisis” to your playlist ASAP. Check out the new track below. Overall, the band details feeling stuck in time and overwhelmed, a common feeling for several Gen Z individuals. “This… Read more »

News

House Parties Introduces Themselves Through New Single “Braindead”


Today is a great day to discover your new favorite band. Texas-based House Parties is happy to make your acquaintance with their vivacious new single, “Braindead.” Marking their first release signed to Equal Vision Records, the pop-punk trio introduces themselves to the world through lively gang vocals, dynamic drum fills, and driving guitars that stay the course through the entire arrangement. It is a fiery anthem with the same tongue-in-cheek spirit as scene heavy-hitters like State Champs—and coincidentally, frontman Derek DiScanio is listed as a collaborator on the track.  In a statement, House Parties shares the meaning behind the single… Read more »

News

Acceptance Announces 20-Year Anniversary LP Of ‘Phantoms’ With Special Guests


Thought you heard the last of Acceptance? Think again! The pop-punk outfit has returned to release a 20-year anniversary re-recording of 2005’s Phantoms with some special guests. The album, Phantoms/Twenty, due out on September 12, boasts myriad features from scene veterans, including Hey Monday‘s Cassadee Pope, The Maine‘s John O’Callaghan, and Boys Like Girls‘ Martin Johnson. In fact, the group officially launched their crossover with the Boys Like Girls singer today, “Take Cover.” Johnson shares, “I graduated high school, class of 2004, in a fever dream of guitar chords and burned CDs—when Phantoms was gospel and ‘Take Cover’ was the… Read more »

Features

5 Throwback Core Memories We Want To Relive at When We Were Young Fest in 2024


While we’re waiting for what will surely be another monumental and nostalgic year at When We Were Young Fest, here are five throwback core memories we’re hoping to relive at the festival. You still have a few days to download the idobi App to enter for a chance to win 2 tickets to the SOLD OUT Saturday, October 19, When We Were Young show. Enter here or below! Win 2 Tickets To When We Were Young 1. Hearing Deep Cuts From My Chemical Romance’s Beloved Album The Black Parade My Chemical Romance has a vast discography ranging over two decades,… Read more »

News

Four Chord Music Fest Announces A Day To Remember, All-American Rejects, On 2024 Lineup


Marking their 10-year anniversary as an independent festival this summer, Four Chord Music Festival will be celebrating this monumental milestone this summer on June 22 and 23 at the historical Carrie Furnace in Pittsburgh, PA. VIP passes and early access tickets will officially be on sale today, Wednesday 21, and general admission tickets will go on sale this Friday, February 2, at 11 AM ET. The 2024 lineup welcomes an array of massive acts in the alternative and pop-punk space, with A Day To Remember headlining on Saturday, June 22, and The All-American Rejects headlining on Sunday, June 23. Additionally,… Read more »

News

Games We Play Drops Spiteful “Petty Enemy” Ahead Of Debut Album


Building anticipation for his eagerly-awaited debut album, Games We Play presents a tantalizing preview of the record with “Petty Enemy.” Serving as the ultimate teaser before the much-awaited release of Life’s Going Great, slated to drop via Fueled By Ramen and Pete Wentz‘s DCD2 Records on March 1, “Petty Enemy” is a deliciously spiteful track. Emmyn Calleiro, the mastermind behind the project, showcases his one-man powerhouse prowess, delivering infectious venom through a captivating array of pop-punk-fueled lines. Drawing inspiration from a decade-long friendship tarnished by his best friend’s betrayal, as described by Calleiro as “bad, like very bad,” “Petty Enemy”… Read more »

News

Games We Play Shares Ethereal “Girl Shaped Crater” Music Video


Games We Play released a new single and music video for “Girl Shaped Crater,” a track set to appear on the forthcoming record Life’s Going Great. The solo project from Emmyn Calleiro, Games We Play offers refreshing pop-punk sounds across recent singles including “too young.” and “All My Untalented Friends (Ooo La La).” The full album will be available on March 1 via Fueled By Ramen. Check out the Romeo And Juliet-themed “Girl Shaped Crater” music video below as we wait for the full record. “It’s about the most amazing person in the world who doesn’t see herself as you… Read more »

Video

Kanner Explores Her Transition From Prolific Songwriter To Iconic Artist


  Kanner jokes she is sporting a “low-key, under the radar look” as she demands the room in bulky, bright green shades, a full body camouflage jumpsuit, and her iconic red locks in high braids. She’s a rockstar from head to toe and everyone can see it. A prolific and well-respected writer with accolades all across the music industry, she notes that she is feeling “fucking amazing” now that she has released music of her own. Earlier this year, Kanner dropped her debut single “BULL IN A CHINA SHOP” featuring 93FEETOFSMOKE. An attitude filled, explosive pop-rock track, it showcases the… Read more »

News

Have Mercy Feel “Alive” On First New Music Of 2023


Marking their first new music since August 2022’s self-titled EP, Have Mercy has unveiled their soul-stirring new single, “Alive.” This captivating track is a sneak peek of what’s to come on their upcoming album, NUMB, which is scheduled to arrive via the group’s new label, Rude Records, on December 8. Embarking on a journey back to their roots, “Alive” is an examination of feeling ensnared in a toxic relationship with nowhere to turn or escape to. The song unfurls in an array of meticulously constructed drum fills and guitar work, creating a powerful backdrop for vocalist Brian Swindle’s  gut-wrenching opening… Read more »

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