Marty Scott, founder and former president of JEM Records, Inc. has announced his re-entry into the record business. JEM Records, LLC will be signing artists and licensing “retro” catalogue for release under the Jem Recordings logo.
Interview with Cody Carson, Zach DeWall and Maxx Danzinger of Set It Off. We discuss music, touring plans, tanning, bullying and being a good wingman.
Saves the Day have announced their upcoming album that will be released on September 17. Click “read more” to view album artwork and tracklisting.
In the past few years, Harrisburg, PA’s Koji has become just as well-known for his activism, unrelenting positivity, and the intimacy of his live shows as he has for his recorded music. He just arrived home from an extensive North American co-headliner with labelmates Turnover, and idobi editor Eleanor Grace caught up with him at one of the tour’s final dates to talk about how the past two months on the road have treated him, working with a full band, his thoughts on the scene, and how this tour has seen him reclaim his voice.
The aptly-titled Renacer is most certainly a rebirth for Senses Fail. One of the heaviest albums of 2013, the record leaves behind only minor traces of the Senses Fail we all know and love.
You can stream Fall Out Boy’s highly anticipated new album Save Rock and Roll by clicking “Read More.”
The Front Bottoms will release their sophomore album, Talon of the Hawk, on May 21st through Bar/None Records. The band has also released a video for new song “Twin Size Mattress” and will head out on a full U.S. headlining tour this summer.
The latest recruits to Equal Vision Records, Northern Faces recently released their debut EP Southern Places, a strong effort consisting of five self-produced tunes that spotlight the band’s indie rock roots while pulling elements from noise, experimental, and even blues rock.
idobi is proud to premiere the track “Deaf and Dumb” by Lake Effect. The band’s self-titled album will be available for free download December 10th.
From the very beginning strains of the first song on The Broderick’s self-titled LP, the album’s compelling nature is apparent. The skillful lyricism combined with its simmering emotions make for a cohesive twelve-track set that never lacks enough differentiation to keep the entire album feeling fresh.
