Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week breaks down the recent UK election results and shares some reactions from British artists.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week celebrates Otep.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week breaks down the impact of Public Enemy’s album ‘It Takes a Nation of Millions to Hold Us Back’.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week highlights Napalm Death’s album Scum.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week celebrates Propagandhi.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week highlights the importance of Anti-Flag.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week breaks down how Brexit is already screwing over touring musicians.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week looks at some of the more conservative artists in the hip-hop scene.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week breaks down some of the best anti-authority anthems.
Basslines and Protest Signs is Brett Callwood’s column looking at the intersection of music and politics. This week talks about the use of music without permission at political campaign rallies.
