Who says France can’t have sick festivals too? Escape The Fate, Our Last Night, Hopes Die Last, and plenty more rocked Paris at the Damage Festival last month — check out photos by idobi’s Gaëlle Pitrel!
Nonpoint are back and out for blood, with a sound that’s more ferocious than ever. If they once paled in comparison to their counterparts, those days are long gone, and the proof comes in the form of their latest and greatest effort, The Return.
Even if you’re convinced that a band changing their sound is the worst thing that’s ever happened to you, it’s perfectly natural for someone’s music to develop and shift from album to album. But every once in a while, those shifts are so dramatic that the early work ends up sounding like it was released by an entirely different band than the more recent material.
The debate of the many subgenre distinctions of metal goes on, this time focusing on Japanese band Babymetal. In this editorial, Brad Lopez argues that metal fans are wasting effort attacking or defending Babymetal.
This past Thursday night, Motion City Soundtrack played a special set to a crowd at the Music Hall of Williamsburg as part of the Converse Rubber Tracks Live series.
Let’s not beat around the bush here—learning is cool, but school is usually much less cool. Thankfully, your homework pile will never be taller than your stack of records, and the right song can help you get through even the most impossible assignments. We asked our writers to share their favorite songs from their first year of college, high school, middle school, or elementary school for a special back to school playlist in this week’s Tuesday Ten.
While it does boast one of the most impressive festival lineups of the year, Riot Fest isn’t just about the music — it’s also home to the most punk rock carnival around. And as we prepare ourselves for the wild ride of this year’s fest, we asked ourselves a question that few have dared to ask before: what if the artists playing this year’s Riot Fest were carnival attractions?
“All Along the Watchtower†is stripped to the bare bones of a song and a story, but it’s still enough to make it a timeless classic and inspire an incredible cover by the one and only Jimi Hendrix, and later, Envy on the Coast.
The days may be long gone of rushing to the local record store, money in hand, to grab the latest radio hit’s 45rpm single, but the excitement of flipping that record over and discovering the non-album track that lay on the other side will never wear off. In this week’s Tuesday Ten, we’re exploring some of our writers’ favorite b-sides.
Today is a day for mourning. Anberlin’s seventh and final album, lowborn, is here, and it’s bringing with it a sense of closure.
