Search Results for: System of a Down

The last time Apple Chief Executive Steve Jobs took on major recording companies, he refused to budge on his 99-cent price for a song on iTunes. As a new round of talks ramp up this month, however, Jobs has opened the door to higher prices – as long as music companies let Apple Inc. sell their songs without technology designed to stop unauthorized copying. Jobs contends that would “tear down the walls” by allowing consumers to play music they buy at Apple’s iTunes store on any digital music player, not just the company’s iPods. Although most of the major labels… Read more »

Is it legal to make a copy of that DVD you’ve just bought so the family can watch it around the home or in the car? In one of the most watched copyright cases in recent years, a judge in northern California ruled last month that copying DVDs for personal use was legal, given the terms of the industry’s licence and the way the copies were made. The wider implication of the ruling remains clouded–not least because the DVD Copy Control Association, the loser in the case, has 60 days to appeal. But whatever the video industry may like to… Read more »

Now that the three young women in Candy Hill, a glossy rap and R&B trio, have signed a record contract, they are hoping for stardom. On the schedule: shooting a music video and visiting radio stations to talk up their music. But the women do not have a CD to promote. Universal/Republic Records, their label, signed Candy Hill to record two songs, not a complete album. “If we get two songs out, we get a shot,” said Vatana Shaw, 20, who formed the trio four years ago, “Only true fans are buying full albums. Most people don’t really do that… Read more »

Ten years ago, as the Internet began to mushroom in popularity and emerging technologies enabled consumers to make nearly perfect copies of digital content, the recording industry embarked on a two-pronged strategy in response to the changing business environment. First, it emphasized copy-control technologies, often referred to as digital rights management (DRM), that many in the industry believed would allow it re-assert control over music copying. Second, it lobbied the Canadian government for a private copying levy to compensate for the music copying that it could not control. While the industry’s approach proved successful on the legal front — the… Read more »

Late in the afternoon of Jan. 16, a SWAT team from the Fulton County Sheriff’s Office, backed up by officers from the Clayton County Sheriff’s Office and the local police department, along with a few drug-sniffing dogs, burst into a unmarked recording studio on a short, quiet street in an industrial neighborhood near the Georgia Dome in Atlanta. The officers entered with their guns drawn; the local police chief said later that they were “prepared for the worst.” They had come to serve a warrant for the arrest of the studio’s owners on the grounds that they had violated the… Read more »

In a rare open letter from CEO Steve Jobs on Tuesday, Apple urged record companies to abandon digital rights management technologies. The letter, posted on Apple’s Web site and titled “Thoughts on Music,” is a long examination of Apple’s iTunes and what the future may hold for the online distribution of copy-protected music. In the letter, Jobs says Apple was forced to create a DRM system to get the world’s four largest record companies on board with the iTunes Store. But there are alternatives, Jobs wrote. Apple and the rest of the online music distributors could continue down a DRM… Read more »

Last year, sibling trio Hanson spent time lecturing performance and entertainment law students in college about its bumpy 5-year arc of major-label heartache, chronicled in the documentary “Strong Enough To Break.” But this year, fans can expect talking, walking and rocking from the band in the form of a new album, “The Walk,” as well as an accompanying “making-of” video podcast, “Taking the Walk.” The group’s sixth full-length effort, “The Walk,” will be released May 22 through Hanson’s own 3CG label. “Taking a Walk” will become available, in increments, before the end of this month via the band’s Web site… Read more »

NUREMBERG, Germany–Coding Technologies today announced an upgraded release of its MPEG-4 aacPlus Audio Encoder engine. The company’s aacPlus audio codec is the audio compression format of choice across a variety of industry standards, systems and applications, including, MPEG, DVB, DMB, 3GPP. Coding Technologies’ aacPlus implementations are used by the world’s most demanding professional equipment manufacturers, broadcasters, and content aggregators to deliver high quality music via terrestrial, satellite, the Internet, and mobile networks.Coding Technologies’ enhanced encoder achieves significant improvements in audio fidelity and listening experience without any associated increase in bandwidth consumption. This allows content service providers to “dial-down” transmission bandwidth… Read more »

Panic! at the Disco went from a group of teenagers who’d written only three songs and never played a live show to the biggest new rock band in America. Their secret: Put together a band the way you’d create a MySpace page and let the kids run wild Ryan Ross bought his C55 Mercedes three months ago, but it’s been parked in his Las Vegas garage ever since. When the Panic! at the Disco guitarist climbs behind the wheel, cues up Tom Waits’ new Orphans collection and starts pushing buttons on the navigation system, he’s still not sure how it… Read more »