Search Results for: system of a down

When the Florida Marlins won the 1997 World Series, it was No Good’s remix of Luke Campbell’s “Raise the Roof” that blasted from the system at Pro Player Stadium. When the Miami Hurricanes won the national college football championship earlier this year, No Good’s “Ballin’ Boy” served as their theme song. As if that wasn’t enough to cement this particular sports-and-hip-hop connection, ESPN picked up “Ballin’ Boy” to play over its March Madness spots during this year’s NCAA hoops tournament. And No Good capped things off by performing the single – already a club staple in their hometown of Miami… Read more »

They spoofed Michael Jackson in their video for “Smooth Criminal,” and they cavorted with cartoon hot dogs in “Movies.” But anyone expecting Alien Ant Farm to aim for the funny bone again with their new video, “Attitude,” will find themselves somewhat short of giggles. And considering that the clip was directed by the Malloys, who have shot quirky rib-ticklers like Blink-182’s “First Date” and Foo Fighters’ “Breakout,” it comes as quite a surprise. “The song is kind of somber and has a Latin feel to it, so we couldn’t see much joking in the video,” vocalist Dryden Mitchell said during… Read more »

Blink-182 side project Boxcar Racer played their debut show Monday night, exhausting their supply of songs as well as their frontman, singer/guitarist Tom DeLonge. Halfway through the band’s 40-minute set at the Mira Mesa Epicentre, a sweat-drenched DeLonge moaned, “F-, I’m tired. I’m out of shape.” Though more likely he just wasn’t used to being the sole focus of attention. Peering from behind a curtain of hair that hid his eyes, early on DeLonge said of the club’s low ceiling beams: “I like the rafters. It kind of hides my face from you guys.” Still, without Blink-182 singer/bassist Mark Hoppus… Read more »

Few bands have a résumé as extensive as the one belonging to They Might Be Giants, so it’s no wonder their music should make perfect fodder for a documentary. In their 20 years together, the quirky duo of John Linnell and John Flansburgh have successfully telemarketed themselves into underground celebrity, composed scores and theme music for television and film, and won a Grammy (for “Boss of Me,” the theme to “Malcolm in the Middle”), while recording seven studio LPs and a slew of EPs, live albums and singles. Flansburgh even found time to moonlight as a video director, helming clips… Read more »

Facing a fusillade of legal attacks from an irate entertainment industry, free file-sharing Netco Streamcast Networks – like Napster before it – is seeking legitimacy by reaching out to independent artists with technology to help them distribute their music themselves. Franklin, Tenn.-based Streamcast says its new digital rights management software, dubbed Content Into Application, or CIntoA, will let artists choose the level of access that users will have to songs that they upload into the company’s Morpheus file-sharing network. The tracks can be programmed to offer a limited number of plays before a fee is required, or only a snippet… Read more »

Every year Michael Greene, the president of the National Academy of Recording Arts and Sciences, stands onstage during the show he runs, the Grammy Awards, and delivers a speech about an issue that pertains to the music world. On the broadcast last week, however, he chose a strange way to make his point. The issue he addressed was the unauthorized trading of songs on the Internet. During the awards show he showed clips of what he said were three students downloading “as many music files as possible from easily accessible Web sites.” He added that in two days the three… Read more »

Rocking a stadium is no mean trick. Plenty of bands do stadium tours because they’ve got the audience, but the ability to blow the roof off a 5,000-seat venue doesn’t mean you can knock ’em dead in an arena. Some have done it – get your hands on Cheap Trick’s Live at Budokan and hear the decibels erupt – but many have not. Platonically, Weezer is a band fit for arena rock. Their guitars sound huge, their music is full of explosive dynamics and their choruses invite fans to sing along. At their show Monday night at the Continental Airlines… Read more »

Being the most vocal member in a group called Naughty by Nature, it’s no wonder Treach isn’t shy about exposing himself. Last year he shot simulated sex scenes for an online adult movie, and for his role as a hit man in this spring’s “Love and a Bullet” he shot a full-frontal nude scene. But apparently baring all is limited to clothing. The man who built his star by being down with “O.P.P.” and writing on ladies’ kittens is a little more inhibited when it comes to the 411 on his personal relationships, especially the rumors that he has been… Read more »

Napster launched a test version of its new copyright-compliant service Thursday in a bid to restart the once wildly popular song-swap Web site that was shut down by a record industry lawsuit. The test or “beta” version, which lacks content from the major music labels, is not open to the public. Instead, it will be offered to 20,000 people randomly selected from a group of more than two million who e-mailed Napster showing interest in participating in the beta test. Napster’s service has been sidelined since July as a result of an injunction issued by U.S. District Court Judge Marilyn… Read more »

Online music company Listen.com Tuesday scored licensing deals with two major music labels for its nascent music subscription service, a move that underscored the record industry’s new readiness to cut deals with independent Internet distributors. The agreements with EMI, a unit of EMI Group Plc and BMG, a unit of Bertelsmann AG, represent a coup for Listen.com, one of the few remaining independent firms competing with Web services backed by the major music companies themselves. Listen.com said it expects to soon announce more licensing deals with major labels. Listen.com launched its service called Rhapsody in early December but its content… Read more »