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KT Tunstall’s apparently tireless capacity for work makes even her laugh. “I feel like a camel,” the Scottish singer-songwriter says with a giggle. “Because I had 10 years of nothing, it does give me an enormous capacity for embracing what’s going on and remembering all that time when I was really wishing things would happen.” That’s why, after two straight years of touring and promotion behind her multiplatinum debut, “Eye to the Telescope” — first released in the United Kingdom at the end of 2004, although its U.S. release was not until February 2006 — Tunstall is, eagerly, right back… Read more »

Pete Wentz was treated to dinner a few months ago by Lyor Cohen, the renowned rap promoter and U.S. music chief of Warner Music Group. Wentz, 28, is the eyelinered heartthrob and bassist of punk band Fall Out Boy; but this dinner was in celebration of the hit single just released by another band, Panic! At the Disco, which records on Wentz’s own label, Decaydance. “He asked me, ‘What do you want out of life, Pete?’” Wentz says. His answer was flip: business cards. The next day he received a stack of cards listing his name and a new title:… Read more »

Late in the afternoon of Jan. 16, a SWAT team from the Fulton County Sheriff’s Office, backed up by officers from the Clayton County Sheriff’s Office and the local police department, along with a few drug-sniffing dogs, burst into a unmarked recording studio on a short, quiet street in an industrial neighborhood near the Georgia Dome in Atlanta. The officers entered with their guns drawn; the local police chief said later that they were “prepared for the worst.” They had come to serve a warrant for the arrest of the studio’s owners on the grounds that they had violated the… Read more »

When Ronald Simmons first heard James Brown’s hit “Cold Sweat,” he was blown away, especially by Brown’s command, “Give the drummer some!” “When I was a kid I would go crazy when I heard that!” said Simmons, 53. “It did something to me: I’ve been drumming for the last 35 years.” Simmons was among thousands of fans waiting Thursday outside the Apollo Theater to pay their respects to Brown, who died on Christmas Day at age 73. As they stood in the cold, many spoke passionately about Brown’s impact on their lives. “He is our royalty, our music royalty,” said… Read more »

One sunny afternoon not long ago, Dick Copaken sat in a booth at Daniel, one of those hushed, exclusive restaurants on Manhattan’s Upper East Side where the waiters glide spectrally fro table to table. He was wearing a starched button-down shirt and a blue blazer. Every strand of his thinning hair was in place, and he spoke calmly and slowly, his large pink Charlie Brow head bobbing along evenly as he did. Copaken spent many years as a partner at the white-shoe Washington, D.C., firm Covington & Burling, and he has a lawyer’s gravitas. One of his bes friends calls… Read more »

Los Angeles – Before they made the jump to Atlantic Records in 2004, the members of Death Cab for Cutie thought long and hard about leaving Seattle’s Barsuk Records. But after six years of deliberation, and the ultimate satisfaction the band took in its decision, manager Jordan Kurland grants that there has been a twinge of remorse. “I’d be lying if I didn’t admit that after I saw Bright Eyes debut in the top 10, I didn’t think, ‘Ah, we should have done that…’ But we’re having a great time.” Indeed, the band Bright Eyes bolted to No. 10 on… Read more »

Los Angeles – Nearly 45 years after Stevie Wonder’s live harmonica workout “Fingertips, Pt. 2” topped the charts, the soul visionary’s musical charm still enthralls. From preteen wunderkind to adult visionary, his musical evolution embodies a “What’s next?” curiosity that still burns brightly as fans anticipate his first new Motown album in 10 years, which he hopes will come out in April. “Hopefully, that little boy will always stay in me,” Wonder said in a recent interview with Billboard. “The part of me that’s still eager to discover; who welcomes new, unbroken ground. When that ground is being broken, there’s… Read more »

For the third time in his career, Eminem has a new album debuting atop the Billboard albums chart. Encore, the rapper’s fourth full-length LP, will bow at #1 on next week’s chart with more than 710,000 copies sold, according to SoundScan. What’s more impressive is that Shady pulled off the feat with less than a full first-week’s worth of sales. Because the album leaked online, Encore went on sale Friday, four days before the previously scheduled release of Tuesday. Since SoundScan ends each week’s tally on Sundays at midnight, Em’s 710,000 copies, which is also the year’s fourth-largest first-week total,… Read more »

With the music industry looking to cut costs amid lower profit margins, record companies see fewer incentives to investing in artist-run label projects. Twelve years ago, Madonna decided to apply the business instincts that made her a superstar toward finding and developing new acts for her own music label. Maverick Records flourished early on. It generated hits by the likes of Alanis Morissette and Prodigy, validating the decision by Warner Music to form a partnership with its biggest star. But Maverick’s good fortunes started to turn during the industrywide sales slump that began in 2000. The label-parent relationship soured, landing… Read more »

On Jan. 6, San Francisco’s Moscone convention center pulses with all the energy of a rock concert. A crowd sprinkled with hip-hop teenagers, digerati, and aging hippies streams in to hear the annual state-of-the-Mac keynote from Apple Computer Inc. Chief Executive Steven P. Jobs. Every facet of the event bears the fingerprints of the obsessive Jobs – right down to the music that fills the air. This year, it’s the King himself, Elvis Presley. Later, Jobs rolls the tape of Apple’s famous “1984” ad that ran on Super Bowl Sunday that year – and hasn’t been broadcast since. Only this… Read more »