After all these years, there are a few skeptics out there thinking that Instant Gratification is simply a final soundtrack to a fading band. Dance Gavin Dance proves them incredibly wrong.
From start to finish, The Technicolors latest releast modernizes rock ‘n’ roll without losing it’s message or sound.
Self described as a science fiction/indie rock band, Long Island’s This Good Robot are making a statement through both their sound and their presence. The latest material to find its way to “the shelves†from the act is The Light Is Taking Me To Pieces, slated for release on April 10th.
Bayside celebrated their 15th Birthday Tour in their hometown of New York City last week.
Forget everything you know about Danny Worsnop. With his new project, We Are Harlot, the group resurrects classic rock in their debut album, creating a style that’s rock ‘n’ roll meets 80s hair metal with a dose of alternative country rock.
Behind all the sugar and sweetness surrounding American Candy, The Maine just gave a huge fuck you to any critics while awarding diehard fans with a highly anticipated, saccharine collection of savory pop-rock songs.
While a complete return to Skip School, Start Fights would have felt stale and continued down the same path as Invicta by alienating many fans, Hit The Lights find the perfect middle ground with Summer Bones.
Since their last release, Sleeping With Sirens have been through a line up change and plenty of growth, but with Madness, they’ve only proven they’re still swinging just as hard.
Not only is Ben Liebsch picking up where the band left off, but he’s also ringing in a new era, and from here, YMAEWK are bound to go far.
Strangers To Ourselves is a solid, standard, Modest Mouse record. If you’ve grown to love the twangy twang of Brock’s voice paired with soaring notes on delay, then this record will easily slide into your current rotation…
