While Get Lost, Find Yourself isn’t groundbreaking in the “easycore†genre, it’s full of catchy hooks that showcase the growth and development of CNCC over the past eight years.
A definite change of pace for the Run for Cover band, New Alhambra demonstrates Elvis Depressedly’s ability to change their perspective and use their songwriting abilities to inspire.
As The Early November ditch raw emotion and sound for polished maturity, Imbue emulates a band that grew up with us over the years and will be a summer anthem for old and new fans alike.
This is the fairy tale pop punk has been waiting for, and As It Is are the knights in shining armor. Hop on the bandwagon now, because they’re bringing pop punk the happily ever after it so well deserves.
After all these years, there are a few skeptics out there thinking that Instant Gratification is simply a final soundtrack to a fading band. Dance Gavin Dance proves them incredibly wrong.
Blending the perfect bits of Pinback, Q And Not U, Cap N’ Jazz, and their own personal driving, noted, guitar charged breakdowns—we can’t get enough of Dryjacket’s latest EP.
Self described as a science fiction/indie rock band, Long Island’s This Good Robot are making a statement through both their sound and their presence. The latest material to find its way to “the shelves†from the act is The Light Is Taking Me To Pieces, slated for release on April 10th.
Forget everything you know about Danny Worsnop. With his new project, We Are Harlot, the group resurrects classic rock in their debut album, creating a style that’s rock ‘n’ roll meets 80s hair metal with a dose of alternative country rock.
While a complete return to Skip School, Start Fights would have felt stale and continued down the same path as Invicta by alienating many fans, Hit The Lights find the perfect middle ground with Summer Bones.
Not only is Ben Liebsch picking up where the band left off, but he’s also ringing in a new era, and from here, YMAEWK are bound to go far.
