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Former Powerman 5000, Frankie Machine Members Soar In Flying Tigers


Even in a world saturated by mass-marketed hard rock bands, no one can accuse Flying Tigers of manufacturing angst. The band’s tuneful, turbulent self-titled debut was born of frustration and hard times, and the group profits from the pain. The disc chronicles the former lives of frontman Ryan Martin and drummer Gary Benson in their grungy power-pop band Frankie Machine, and what happened in the days following the release of that band’s debut album, One, in 2000. “The week it came out everyone at the label got fired, then we got dropped,” Martin recalled. “At the time we thought it… Read more »

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Mr. Cheeks Promises New Lost Boyz Releases


Mr. Cheeks and P. Diddy performing the remix of “Lights, Camera, Action!” together at Tuesday’s Urban Aid 2 was just a preview of things to come, according to the Queens MC. “We’ve been rolling since way back, but we have some time where we got to do some things together,” Cheeks said of his relationship with P. Diddy, who he may work with in the studio again. “We’ve got the tour coming with ‘NSYNC and Diddy.” Cheeks said P.D. has invited him to perform as part of the opening act on ‘NSYNC’s current second leg of their Celebrity tour. From… Read more »

News

Mr. Cheeks Promises New Lost Boyz Releases


Mr. Cheeks and P. Diddy performing the remix of “Lights, Camera, Action!” together at Tuesday’s Urban Aid 2 was just a preview of things to come, according to the Queens MC. “We’ve been rolling since way back, but we have some time where we got to do some things together,” Cheeks said of his relationship with P. Diddy, who he may work with in the studio again. “We’ve got the tour coming with ‘NSYNC and Diddy.” Cheeks said P.D. has invited him to perform as part of the opening act on ‘NSYNC’s current second leg of their Celebrity tour. From… Read more »

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SESAC and Television Music License Committee Announce Agreement


SESAC, the nation’s fastest growing performing rights organization, and the Television Music License Committee have negotiated a new industry-wide licensing agreement for commercial local television stations across the United States. The SESAC/TMLC-negotiated blanket license, which covers the period January 1, 2001 through December 31, 2004, reflects the strategic growth SESAC has achieved over the past few years. “SESAC has experienced dynamic growth since my partners and I acquired the company in 1992,” says SESAC Chairman Stephen Swid. “Having said that, this deal with the TMLC represents a defining moment in the evolution of SESAC. This agreement was possible because renowned… Read more »

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Disturbed's Draiman Battles Knuckleheads, Women, Death And Makes Believe


Disturbed vocalist David Draiman has some pretty strong views about religion and art, but over the past year he’s found himself scrutinizing and re-evaluating both. He still values his Jewish heritage, but has felt the sting of its methodology. He remains dedicated to his musical career, yet has been frustrated by his inability to have a life outside of show business. These experiences, along with the overall shroud of insecurity triggered by 9/11, inform Disturbed’s upcoming record, Believe, which the band is currently working on in a Chicago studio. “All the songs revolve around the theme of belief,” Draiman said… Read more »

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Sevendust Crank Out Clips, Prepare For 'Golf Tour' With Creed


Now that their onstage cred is firmly established, Sevendust are looking to branch out beyond performance-based videos. The group shot two conceptual videos late last month in Toronto with director Noble Jones, who has previously worked with Roland Gift and Default. The first was for “Live Again,” the next single from the band’s latest album, Animosity. The clip concerns a girl who gets thrown out of her house by her father, who pushes her out the front door as her mother and neighbors stand by watching. “I’ve always been fascinated and disturbed by young people and children that get thrown… Read more »

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Cold Singer Relates To Road-Weary Wrestlers


When the creators of the upcoming WWF album Tough Enough 2 asked Cold to contribute a track, frontman Scooter Ward was baffled. He thought, what did his music – riddled with gloomy, nihilist imagery and creepy underpinnings – have in common with the muscle-bound, over-the-top world of pro wrestling? Then it occurred to him that being in a band on the run and flying off the top turnbuckle night after night had some similarities after all. “I was writing a song for my kid at the same time,” Ward said last week. “Leaving home all the time, never being here… Read more »

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No Doubt Comes Home For Two Sold-Out Gigs


No Doubt comes home to Southern California tonight (March 27) for the first of two gigs at L.A.’s Universal Amphitheater in support of its current album, Rock Steady. The shows are sold out, demonstrating the Orange County, California band’s popularity throughout the region. Drummer Adrian Young said that they “feel the love” back home. Guitarist Tom Dumont adds that there’s also other perks of being local heroes. “We’re a little bit spoiled being from L.A. and Orange County when we go out, you know, to clubs or go hang out there. It’s fun to be recognized and to be able… Read more »

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Dashboard Confessional, Custom, Abandoned Pools Don't Need No Stinkin' Band


“One-man band”: when you hear that phrase you probably picture a dude on a street corner with a pair of cymbals between his knees, a drum on his back, some kazoos in his mouth and a guitar case full of quarters. Think again. While naming a band after yourself is fine and good for guys like Dave Matthews and Jon Spencer, some band names are actually just cryptic pseudonyms for a single, mad studio genius. The past year has seen an explosion of do-it-yourself-ers, including ex-Eels bassist Tommy Walter with his band Abandoned Pools, stone alone emo-ter Chris Carrabba of… Read more »

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Long Lines For Clinic, Lynch Mob For Icarus Line At SXSW


The 16th annual South by Southwest music conference drew to a close Sunday, and the only thing that lasts longer than the seemingly perpetual hangover that results from four debauched days of a music industry on spring break is the buzz emanating from the bands and key moments that defined this year’s festival. Of the more than 1,000 bands showcasing their chops before press, radio programmers, managers, lawyers, label execs and promoters in 48 venues strewn throughout Austin, Texas, a handful traditionally rise above the chaff to become the targets of hype hucksters and topics of critical discussion for weeks… Read more »

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