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Rush Return From Tragic Hiatus Sounding More Like Tool


The song “One Little Victory” starts with flailing militaristic drums, followed by a churning down-tuned guitar riff that drips with angst. It sounds like Tool covering P.O.D. Strangely, it’s Rush, a band that was around when Judas Priest and Iron Maiden were considered “new metal” and Rush members Geddy Lee (vocals/bass), Alex Lifeson (guitar) and Neil Peart (drums) were articulate mavericks carving out their own iconoclastic space. Some things never change. The track is from Vapor Trails, due May 14, and it’s a major triumph for Rush. Not only does it represent a commitment to remain sonically relevant, it marks… Read more »

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'Bandstand' Marks 50th Anniversary


When Dick Clark first pitched “American Bandstand” to ABC as a national series in the 1950s, network executives yawned. “I still have the letter, still have it framed in my office, which in effect said ‘Don’t call us, we’ll call you. Thank you, and it’s nice to see your dance party,’” Clark recalls. When he proposed a 50th anniversary special, Clark found out how little television had changed. Despite the show’s iconic place in pop culture, he had to argue the case of “American Bandstand” all over. An idea that was once ahead of its time was now hopelessly behind… Read more »

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Bjork's Pit, Beck's Set Among Few Surprises At Risk-Free Coachella – Review


To the left, a full moon illuminated a row of palm trees swaying in a mellow breeze as the Beta Band played their melodic pop. To the right, a red sun set over a gorgeous mountain range as Siouxsie and the Banshees wrapped up their first festival performance in more than seven years. Ahead, DJ Z-Trip captivated a titanic tent overflowing with dancers by marrying Michael Jackson’s “Billie Jean” and Rage Against the Machine’s “Testify.” It was a stereophonic moment of musical bliss. It was Coachella in a nutshell. The third annual Coachella Valley Music and Arts Festival took over… Read more »

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Jane's Addiction Record New LP At Rapid-Fire Pace


While it took more than a decade for Jane’s Addiction to decide to work on a fourth proper studio album, after less than one month of recording together the LP is nearly completed. “It’s going tremendous,” Jane’s frontman Perry Farrell said Sunday. “In three weeks’ time, we’ve recorded eight songs. The only reason we stopped was we had to break down for [Coachella]. And they’re just rockin’, rippin’ songs, too.” The band’s unusually rapid pace has – at least in part – inspired the album’s title, Hypersonic, which Farrell defined as “the ability to go coast-to-coast in a half-hour.” Jane’s… Read more »

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Greene Tunes Out Grammys Gig


C. Michael Greene has resigned as the head of the organization that hands out the music industry’s most prestigious award, the Grammys, following an emergency board of trustees vote to remove him from office. Greene resigned Saturday night at an emergency meeting attended by more than three dozen trustees of the National Academy of Recording Arts and Sciences at the Beverly Hilton Hotel. Greene, 52, had three years remaining on his contract and will receive a severance package of $8 million, much of which will be covered by insurance and includes his bonus from the CBS Grammy contract. He is… Read more »

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No Get-Hits-Quick Schemes For Tweet, Jimmy Eat World, Unwritten Law


Despite what Lil’ Bow Wow and Britney have shown us, stardom doesn’t always come before you can vote or get behind the wheel of a car. The past few years have been a boon for the high school (Aaron Carter, B2K, Lil’ Romeo) and graduation set (Michelle Branch, Vanessa Carlton). Even though it may have felt like it, it hasn’t been all teens all the time, though. Veteran acts such as U2, Nickelback, Creed, No Doubt, Train, Sugar Ray and R. Kelly have been banging the charts all along. And lately, singers like Tweet and rockers Unwritten Law and Jimmy… Read more »

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Major-Label Refugees Eye Indie Homes


Songstress Sheryl Crow is on track to be the highest debut performance when the latest pop album charts are released Wednesday, challenging reigning Universal Music labelmate Ashanti for the top spot. But Crow’s latest effort, “C’mon C’mon,” her first studio release since the platinum “Globe Sessions” four years ago, also leads a sizable roster of artists bowing this month that have had a rocky history with the rapidly consolidating major-label system. Crow herself was one of several artists to question her future with Universal Music after the label giant acquired her alma mater, A&M Records. While the star and her… Read more »

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Skate And Surf Fest: Down-Home Warped Rocks Asbury Park


Twelve hours, four stages and more than 40 bands marked the end of the three-day Skate and Surf Festival on Sunday. Held at the Asbury Park Convention Hall, the second installment of the now annual event featured performances from Bouncing Souls, Face to Face and the Descendents, among many others. While the Warped Tour travels from town to town with many of skateboarding and BMX culture’s best-known athletes and favorite artists, the stationary Skate and Surf tends to be more down-home, offering quarter-pipes and rails to anybody bold enough to show up with a bike or a board and a… Read more »

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'An Angry Angel' – Layne Staley Remembered By Bandmates, Friends


With the passing of Layne Staley, those who knew him best remember him as deeply troubled yet immensely talented. Described as a caring person, he made great strides to elevate an underground genre to the mainstream. In the early ’90s, Alice in Chains, along with Pearl Jam and Soundgarden, were directly behind Nirvana on the grunge wave that began in Seattle and cascaded throughout the country. The singer’s Alice in Chains bandmates – guitarist Jerry Cantrell, bassist Mike Inez, drummer Sean Kinney and former bassist Mike Starr – their manager and Soundgarden’s Chris Cornell gathered Saturday, a day after police… Read more »

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… And You Will Know Them By The Trail Of Bills And Bandages – Review


The Who invented it. Nirvana perfected it…. And You Will Know Us By the Trail of Dead got accountants thinking about it. Closing a show in a bout of destruction is one of the great traditions of rock and roll, but when it becomes a routine the spectacle isn’t exactly priceless. Fender bass guitars (approximately $900), Marshall amplifiers (approximately $800) and run-of-the-mill drum sets (approximately $600) – the instruments behind Trail of Dead’s beloved rock – make expensive confetti. So when this buzzed-about band of multi-instrumentalists toss drum and guitars around like balloons waiting to be popped, they are conscious… Read more »

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