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Garageband Launches The New Deal


garageband, the innovative record company that brings music lovers and musicians together on the Internet, today announced “The New Deal,” a marketing and distribution program for aspiring yet unsigned musicians. The New Deal extends the company’s proprietary, patent-pending technology for singling out bands based on the opinions of hundreds of thousands of on-line reviewers to now also gauge real-world commercial appeal. As Napster has proven, the $40 billion record industry is at a crossroads as both artists and the labels wrestle with how to harness the power (and excitement) of the Internet. garageband’s New Deal program sets out to do… Read more »

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KS95 Saves Lives, Corners The Market On Localness


KS95-Minneapolis OM/PD Leighton PeckIn an age of radio where “localness” is being de-emphasized, one example of a station stepping up and serving its community, and a stellar example at that, is KS95 (KSTP/FM)-Minneapolis’s Third Annual “KS95 for Kids Radiothon.” Held last month at the Twin Cities’ Mall of America and hosted by KS95 morning duo Van Patrick & Cheryl Kaye, the 84-hour (!) event helped raise an astounding $1.54 million, breaking the national record for a fundraiser of this type. Amazingly enough, the record the Hot A/C broke was their own, set at last year’s Radiothon. What’s even more amazing… Read more »

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Paul Simon, Mystikal, Dave Matthews Headline Jazzfest 2001


New Orleans Jazz & Heritage Festival’s Web site – Where else in the world but the New Orleans Jazz & Heritage Festival could Paul Simon, Mystikal, the Dave Matthews Band, Celia Cruz, Femi Kuti, the Neville Brothers, Van Morrison, Al Green, Lucinda Williams and more than 400 other acts mix it up with pheasant gumbo, crawfish bread, oyster po-boys and Cajun boudin? If music is the food of love, and Jazzfest is ground zero for the music-as-feast truism, the 32nd annual event – which takes place over seven days between April 27 and May 6 at the city’s Fair Grounds… Read more »

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New Economy: Musicians Press Point In Online Rift


For years recording artists and the executives who promote their work have had a love-hate relationship. Executives at recording companies, which make billions of dollars a year distributing music on compact discs and in other formats, say their business is risky and they should be compensated for taking chances on young talent. Recording artists, for their part, have long grumbled that companies are too controlling, lining their pockets by exploiting musicians unschooled in business. Now, while the debate in the music industry has focused on how recording companies should deal with the public online, the controversy has also reheated long-simmering… Read more »

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