The Jason Aalon Butler-led FEVER 333 is reminding everyone that there’s a fever coming… The four-piece group—comprised of Butler at the helm alongside guitarist Brandon Davis (Lions Lions), drummer Thomas Pridgen ( The Mars Volta, Thundercat, Trash Talk), and bassist April Kae (IMANIGOLD)—have unleashed the fever with their blistering new single, “READY ROCK.” The track, which was produced by FEVER 333 with co-production courtesy of Beach Noise and Glassjaw‘s Justin Beck, marks the collective’s first new music since issuing “$wing” last spring when their new lineup launched. It also offers a glimpse into the group’s forthcoming sophomore album. The highly-anticipated… Read more »
To celebrate Black History Month, Donny Lloyd, the exceptionally talented guitarist of the bubblegum pink pop-punk duo Honey Revenge, immerses us in a reflection on the impactful Black musicians and artists who have played a pivotal role in shaping and enriching their artistic journey through the music industry. From discovering a kindred spirit and fellow pink-guitar virtuoso in Marc Okubo, the guitarist of Veil Of Maya, to drawing inspiration from the musical legacy of their own flesh and blood within their mother’s musical repertoire, Donny has curated a soundscape that spans a diverse spectrum of Black musicians. These influences not… Read more »
Sleep Theory hop on the reimagination train with their new version of their song, “Fallout.” Departing from the original nu-metalcore, hard rock sound, the act flexes their ability to be somber, yet vulnerable while still encompassing the full power of the track. A lyric video with a single lavender flower stands wavering, yet strong in front of a destroyed cityscape, which emphasizes the meaning behind the song. “Go and keep your distance/As you fall to pieces/In your toxic madness” ends the track with heartbreaking, pain-filled vocals from singer Cullen Moore. The previous rendition generates rage-filled regret about a bad relationship.… Read more »
They say nobody likes you when you’re 23, but that’s not the case with jxdn. Celebrating his 23rd birthday today, February 8, the singer-songwriter has returned with his latest offering, “When The Music Stops.” Co-produced alongside blink-182’s Travis Barker and Brian Lee, “When The Music Stops” arrives via Barker’s DTA Records and is the first preview of jxdn’s sophomore album. A title for his forthcoming album has not been revealed, but it is expected to drop later this summer. Commencing with a delicate guitar strum that persists across the track, jxdn‘s ethereal vocal delivery envelops listeners, gently drawing them into… Read more »
YUNGBLUD, aka Dom Harrison, and Lil Yachty just shared a brand-new behind-the-scenes look for their recent track and music video, “When We Die (Can We Still Get High?).” The artists and their video crew headed into a forest and showed the structure YUNGBLUD was on to simulate a slow fall toward the leaf-covered Earth. Lil Yachty and YUNGBLUD exchanged hugs and could be seen paling around on set. “Thank you so much. This is gonna be lit,” YUNGBLUD tells Lil Yachty. Read more: 10 Black Pop-Punk & Alt-Rock Acts Everyone Should Know Plus, the BTS video shows how the videographers… Read more »
Marking their first new music of the year, Belmont has launched their new album cycle with the leading track, “Liminal,” which also serves as the title track of their forthcoming full-length. The three-piece’s new record, Liminal, is scheduled to arrive courtesy of Pure Noise Records on April 12. You can preorder the group’s 12-track, third album here. Opening the accompanying music video, vocalist Taz Johnson, multi-instrumentalist Brian Lada (drums, guitar, bass, programming), and guitarist Jason Inguagiato escape into a Victorian world created by a virtual reality headset. As Johnson sings, “You told me that the faster I fall/The faster you’ll… Read more »
Of course, we’re counting down the days until Sum 41 set the world ablaze with their forthcoming double album, Heaven :x: Hell, which is scheduled to arrive as the band’s final record on March 29 via Rise Records. However, when one door closes, another opens. While the final chapter of the storied pop-punkers is filled with bittersweet emotions, we’re excited to announce that Sum 41 bassist Cone McCaslin will be joining the idobi Radio family with his new show, “Cone’s Cave.” Scheduled to launch on Monday, February 12, at 7 PM ET/4 PM PT, followed by a podcast of the… Read more »
With less than a month to go before Mannequin Pussy officially drop their eagerly-awaited fourth studio album, I Got Heaven, arriving on March 1 via Epitaph Records, the four-piece have released their Buffy The Vampire Slayer-inspired new single, “Nothing Like.” In this latest offering, the band seamlessly melds their trademark indie essence with sugary-sweet punk, crafting a dynamic soundscape that encapsulates the fervent longing for youthful romance. Delving into the precarious realm where infatuation overpowers reason, “Nothing Like” is propelled by frontwoman Marisa Dabice‘s evocative vocal delivery, transitioning from a tender croon to a powerful crescendo laden with the raw… Read more »
Following the release of their 2023 single, “Hopeless,” a tribute to the band’s late vocalist, Keaton Pierce, Too Close To Touch has announced their final album, For Keeps, which is scheduled to arrive on March 8 via Epitaph Records. The album announcement, its title acting as a play on one of Keaton’s nicknames, “Keeps,” coincides with the release of the group’s latest single, “Control,” featuring the vocalist. The band—Keaton Pierce, guitarist Mason Marble, drummer Kenneth Downey—wrote and performed the track, with Erik Ron contributing on bass. “Control” captures Keaton’s signature piercing vocal prowess layered against a backdrop of heavy-hitting instrumentation… Read more »
The day is finally here! Today marks the highly anticipated release of Green Day‘s fourteenth album, Saviors—a momentous occasion as the legendary trio unveils their first collection of new music in almost four years. As we delve into the 15-track album, each listener is bound to form their unique opinions, fall in love with and possibly loathe tracks based on moods, messages, and the overall approach to the sound and style. To add to the excitement, we’ve taken the liberty of ranking all the tracks based on our early listening experience—from favorites that resonated deeply, like “Bobby Sox” and “Father… Read more »
