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Who's Really #1? iTunes, MySpace Add Confusion


During the first two weeks in January, the most popular album in the country was the soundtrack to “Dreamgirls.” But that statistic was less impressive than it might have been, because for those two weeks, “Dreamgirls” sold around 60,000 copies each week, which made for the two lowest totals for a #1 album in the history of the SoundScan era, which began in 1991. Granted, January is always a pretty slow month for album sales and releases. But around that same time, the new Fall Out Boy album, Infinity on High, leaked online and was one of the most eagerly… Read more »

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Rookie Music Acts to Watch in 2007


Following are previews of albums due out within the next few months from debut acts or under-the-radar artists due for a breakthrough. PAOLO NUTINI Scottish singer/songwriter Paolo Nutini, who turns 20 January 9, was one of the most noteworthy breakout artists of 2006 for Atlantic Records in the United Kingdom. After an appearance at South by Southwest in Austin last March, his debut single, “Last Request,” reached No. 5 in July on the British charts and also became a substantial airplay hit. His debut album, “These Streets,” subsequently opened at No. 3 with out-of-the-box sales of 35,000, according to his… Read more »

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Modern Rock Acts Promote Music Outside Radio


Modern-rock promotion finds itself at a crossroads as a growing number of terrestrial radio broadcasters tune out the ratings-challenged format. Record companies are attempting to adapt to modern rock’s recent marginalization on the airwaves in major markets like Philadelphia, Miami, New York and Washington, D.C. by emphasizing other options for building buzz. In lieu of airplay, touring, blogs, ringtones, downloads, Internet and satellite radio, videogame tie-ins, alliances with brand marketers, film and TV exposure, sponsorships and placements in commercials all are growing in value. The marketing strategies for a number of big-name rock artists with current or upcoming releases show… Read more »

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Indies Vs. Majors: Artists Face Tough Choices


Los Angeles – Before they made the jump to Atlantic Records in 2004, the members of Death Cab for Cutie thought long and hard about leaving Seattle’s Barsuk Records. But after six years of deliberation, and the ultimate satisfaction the band took in its decision, manager Jordan Kurland grants that there has been a twinge of remorse. “I’d be lying if I didn’t admit that after I saw Bright Eyes debut in the top 10, I didn’t think, ‘Ah, we should have done that…’ But we’re having a great time.” Indeed, the band Bright Eyes bolted to No. 10 on… Read more »

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3 Doors Down Steers Straight to No. 1


Los Angeles – Rock band 3 Doors Down earned its first No. 1 on the U.S. pop albums chart Wednesday with its latest CD, “Seventeen Days.” The Republic/Universal release sold 231,000 copies in the week ended Feb. 13, according to Nielsen SoundScan, the best sales week of the band’s career. The Mississippi-bred combo’s previous high came with 2002’s “Away From the Sun,” which opened and peaked at No. 8 with 115,000 and has sold 3.3 million to date. 2000’s debut “The Better Life” has sold 5.2 million copies so far. Previous champ, rapper the Game’s “The Documentary” (Aftermath/G-Unit/Interscope), slipped to… Read more »

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Linkin Park, Jay-Z on 'Course' Together


Multiplatinum acts Jay-Z and Linkin Park are the latest to merge musical forces in a legally sanctioned mash-up. With the help of MTV, the two acts have taken the concept – which intertwines two songs, often placing the vocals of one track atop an instrumental section of another track – one step further. Instead of simply doing a mash-up remix of one track, as other artists have done, Jay-Z and Linkin Park have created an entire CD/DVD project based on the mash-up concept. The result, “MTV Ultimate Mash-Ups Presents Jay-Z/Linkin Park: Collision Course,” arrived Nov. 30 from Warner Bros. The… Read more »

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New Dates with Destiny for CD, Tour


Los Angeles/New York – Columbia Records has moved up by one day the North American release of the new Destiny Child’s album, just as the R&B trio confirmed the first dates for its 2005 world tour. “Destiny Fulfilled” will be issued off-cycle from a traditional Tuesday stateside release on Nov. 15, the same date that the disc will be available internationally. The company says the change is due to the “potential for Internet leaks and ‘burned’ CD counterfeits” that could “lead consumers to experience inferior and incomplete versions of the album.” The move by follows Wednesday’s (Nov. 3) announcement that… Read more »

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Record Companies Wary of Vanity Label Deals


With the music industry looking to cut costs amid lower profit margins, record companies see fewer incentives to investing in artist-run label projects. Twelve years ago, Madonna decided to apply the business instincts that made her a superstar toward finding and developing new acts for her own music label. Maverick Records flourished early on. It generated hits by the likes of Alanis Morissette and Prodigy, validating the decision by Warner Music to form a partnership with its biggest star. But Maverick’s good fortunes started to turn during the industrywide sales slump that began in 2000. The label-parent relationship soured, landing… Read more »

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Iovine Renews at Universal Music for 6 Years


Jimmy Iovine, head of the West Coast operations of Universal Music Group, has signed on for another six years, sources confirmed Thursday. Iovine, the chairman of Interscope Geffen A&M Records, has been in contract negotiations since last year. The multimillion-dollar deal was finally signed late Wednesday night. A label spokeswoman declined comment. As part of the deal, Iovine has the option to partner with Universal for music-driven film projects revolving around his artists. That part of the deal is based on Iovine’s success as the producer of Interscope rap star Eminem’s Oscar-winning film “8 Mile.” Last year was a busy… Read more »

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Apple, Changing The World Of Online Music


On Jan. 6, San Francisco’s Moscone convention center pulses with all the energy of a rock concert. A crowd sprinkled with hip-hop teenagers, digerati, and aging hippies streams in to hear the annual state-of-the-Mac keynote from Apple Computer Inc. Chief Executive Steven P. Jobs. Every facet of the event bears the fingerprints of the obsessive Jobs – right down to the music that fills the air. This year, it’s the King himself, Elvis Presley. Later, Jobs rolls the tape of Apple’s famous “1984” ad that ran on Super Bowl Sunday that year – and hasn’t been broadcast since. Only this… Read more »

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