Black Lines is difficult to get a grip on, because it’s so emphatically different from anything Mayday Parade has ever done. It’s nothing like the kind of “happy heartache†pop-rock a listener might come to expect. It’s much more aggressive, but worth hearing.
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Man Of The Hour’s eighteenth premiere kicks the season off with a recap of the warmer months, what you miss about touring (i.e. sleeping in until 9AM) and brings you a petting zoo of Halloween costumes.
You will come out of Blurryface a little shaken up with your view of music and the world overall a little bit shifted. But ultimately, what you will feel is satisfaction.
Self described as a science fiction/indie rock band, Long Island’s This Good Robot are making a statement through both their sound and their presence. The latest material to find its way to “the shelves†from the act is The Light Is Taking Me To Pieces, slated for release on April 10th.
‘Future Hearts’ is an album for the fans, pure and simple—the ultimate declaration of appreciation for listeners new and old.
Forget everything you know about Danny Worsnop. With his new project, We Are Harlot, the group resurrects classic rock in their debut album, creating a style that’s rock ‘n’ roll meets 80s hair metal with a dose of alternative country rock.
Since their last release, Sleeping With Sirens have been through a line up change and plenty of growth, but with Madness, they’ve only proven they’re still swinging just as hard.
Since disbanding A Rocket To The Moon last year, Nick Santino has been one busy guy.
This past Thursday night, Relient K’s 10th Anniversary Mmhmm Tour played to a sold out New York City crowd.
