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Ozzy Osbourne Lawsuit Dismissed, But 'Not Over Yet'


A lawsuit against Ozzy & Sharon Osbourne may have been dismissed, but the former bandmembers who filed the case say it will go on. Bob Daisley, bassist and songwriter on the first two Osbourne solo albums (1980’s Blizzard Of Ozz and 1981’s Diary Of A Madman), released this statement concerning the court’s decision: “Obviously, this is a disappointing ruling, but it’s not over yet. This case has merit-Lee and I have been struggling for two decades just to receive the correct royalties and credit that’s due us-and we are confident that we will prevail in the end.” For some 20… Read more »

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Stop Music for Free, Pleads Record Industry


The record industry pleaded on Wednesday with consumers to stop downloading and recording music for free because piracy was strangling the multi-billion-dollar industry. Profits have plummeted, especially in Europe. CD sales in Germany last year were 185 million whereas the number of blank CDs used to copy music was estimated at 182 million. Record executives also believe there are now more unauthorized music files available on the Internet than at the height of Napster ( news – web sites)’s success in the field. “Music for free means less new music, fewer new artists, less choice, thousands less jobs,” said Jay… Read more »

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112 And P. Diddy Dispute Label Deal, Publishing Deal, And Last Words


After offering politically correct comments regarding their future with Sean ” P. Diddy” Combs’s Bad Boy Records, Combs’s protege group 112 said they are parting ways with Combs, and have signed a recording deal with the Island Def Jam music group. The Atlanta-based quartet that includes members Daron Jones, Quinnes “Q” Parker, Michael Keith, and Marvin “Slim” Scandrick released its 1996 self-titled debut on Combs’s label that also featured the late Notorious B.I.G., Faith Evans, and Craig Mack. 112 signed with Def Jam after it was relieved of its commitment to Bad Boy, Scandrick revealed, “We’re already signed to Def… Read more »

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Blink-182 Offshoot Boxcar Racer Make Live Debut – Review


Blink-182 side project Boxcar Racer played their debut show Monday night, exhausting their supply of songs as well as their frontman, singer/guitarist Tom DeLonge. Halfway through the band’s 40-minute set at the Mira Mesa Epicentre, a sweat-drenched DeLonge moaned, “F-, I’m tired. I’m out of shape.” Though more likely he just wasn’t used to being the sole focus of attention. Peering from behind a curtain of hair that hid his eyes, early on DeLonge said of the club’s low ceiling beams: “I like the rafters. It kind of hides my face from you guys.” Still, without Blink-182 singer/bassist Mark Hoppus… Read more »

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Claim Against Stevie Wonder Rejected


A federal appeals court rejected a claim that entertainer Stevie Wonder violated a copyright with his recordings of a song titled “For Your Love.” The 6th U.S. Circuit Court of Appeals ruled on Wednesday that Derrick Coles, who claimed he had prior copyright ownership of the song, and Gwendolyn Daniles, who said Coles conveyed his interest in the song to her in 1991, failed to prove their allegations. The appeals court upheld a Cleveland federal judge’s July 2000 ruling that Coles and Daniles must pay $173,871 in attorney fees and $23,884 in other costs to Wonder and co-defendants Motown Record… Read more »

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'I Was Curious,' Slash Says Of GN'R Show He Was Banned From


Las Vegas wasn’t paradise city for Slash when he tried to check out Guns N’ Roses at the Hard Rock Hotel and Casino late last month. It seems the band’s former guitarist wasn’t welcome to the jungle. Slash, who quit the group in 1996 and later formed Slash’s Snakepit, said he was in Vegas on vacation when he learned that GN’R would be playing there in two weeks’ time, on New Year’s Eve and two days before. He said he made some calls and got on the guest list for the December 29 show via the venue and the promoter.… Read more »

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Memphis soul innovator Rufus Thomas dies aged 84


Versatile soul icon Rufus Thomas, a pioneering radio DJ and a singer/songwriter famed for the R&B standard “Walking The Dog,” has died in Memphis at age 84, his family said Sunday. Over a 70-year career, which took off in a segregated minstrel show, Thomas was a key player in the rise of rock ‘n’ roll and soul. He recorded for the two greatest record labels to come out of Memphis, Sun and Stax, and performed into his 80s. Thomas died Saturday at St. Francis Hospital of apparent heart failure, his family said. He had been receiving treatment at the hospital… Read more »

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Napster, Record Industry Argue Over Enforcement


Online file-sharing service Napster and the record industry squared off again in federal appeals court on Monday over the fine points of enforcing the court-ordered restrictions on Napster’s now-idled service. A three-judge panel of the Ninth Circuit Court of Appeals, sitting in Pasadena, California, heard about an hour of arguments from the two sides on how to share the burden between them in policing Napster to prevent copyrighted material from being illegally exchanged. A spokesman for Napster, which has been out of operation since July, said the service argued for three main points: that the RIAA should be required to… Read more »

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Jury Vindicates Dance Music in Precedent


No, this is not a story about an isolated incident. Although for years rock concerts have been drug and alcohol fests (come on, we’ve all been to them), for some reason dance music related events and clubs have recently been targeted by law authorities nationwide – from superclub Twilo in New York being shut down earlier this year to a yet unsubstantiated Federal case filed in New Orleans against club organizers. You even see the prevailing attitude on nightly news programs and in magazines like Time that dance music events are simply all about the drugs … perhaps all the… Read more »

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Pop Goes The Emo On Jimmy Eat World's Bleed American


You might think that after parting ways with a major label, Jimmy Eat World would take the opportunity to further indulge in the thoughtful experimentation that marked 1999’s Clarity, their second and final release on Capitol. After all, no label means no more A&R guys frowning at songs like Clarity’s 16-minute-plus “Goodbye Sky Harbor,” with its drum-loop buildup and crescendo of overlapping, programmed vocals. But left to their own devices, Mesa, Arizona’s favorite sons made their most straight-up pop record to date – Bleed American, which hit stores Tuesday. “Things still got pretty gnarly in the studio as far as… Read more »

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