Please Remain Calm stands as an anthem for a lost generation. In a time of questions and heartache, Hostage Calm rises to the occasion to capture the story of the youth in a dwindling nation.
After a tumultuous time in the life of Love, Robot, the quartet has come out with Rebuild | Rebirth. The album is dripping attitude and energy, letting listeners feel the band’s trials and tribulations through every song. This album opens the door for the audiences to see into the world of Love, Robot.
With a take-no-prisoners sound, Obey The Brave have unleashed their debut album Young Blood. The album has a solid level of energy throughout every song and won’t let listeners sit down for a minute.
In an age where sometimes it seems that computers have replaced instruments and auto-tune has replaced voice lessons, from time to time it’s best to go back to the basics of raw simplicity – to show off your untainted, unrestricted talent in a stripped-down and intimate way. Joshua Michael Robinson’s Intentions does just that, combining powerful lyrics with modest instrumentals that really shine the spotlight on his distinctive voice.
Mixing straight up punk with atmospheric and melodic elements, Sirs have created a combination of sound that is raw and memorable with their self-titled debut.
twenty | one | pilots’ synth-pop style hits a home run on their latest EP Three Songs. With the newfound support of Fueled by Ramen, Twenty | One | Pilots take the dance style found on their 2011 debut Regional At Best a step further.
The three tracks switch up the traditional Boys Like Girls pop rock sound with a more country influence. While the Crazy World EP is just a teaser for their full-length, fans get a taste of what they have to look forward to from Boys Like Girls.
When bands decide to strip down, it can mean one of two things. For A Loss For Words it meant grabbing a couple guitars and recording an acoustic EP. Returning To Webster Lake has the band giving their songs a new life and three cover songs a unique twist.
The stunning debut solo EP from Deas Vail frontman Wesley Blaylock is something that both Deas Vail fans and new listeners will be able to embrace with open arms. Blaylock’s familiar angelic voice soars through each of the EP’s five songs.
The Front Bottoms’ self-titled debut full length is unlike anything that has ever been heard before – in the best way possible. It’s what happens when Mountain Goats-like vocals meet punk and pop influences in the form of a quirky duo and it is pure unintentional brilliance.
