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Papa Roach Distance Themselves From Rap-Metal Peers On New LP


When Jacoby Shaddix (a.k.a. Coby Dick) was bashing his forehead bloody with the mic night after night on last year’s Ozzfest, it became pretty clear that Papa Roach were a tortured, turbulent group – one far removed from the cookie-cutter rap-metal bands to which it was frequently compared. As if to hammer home the point, the band has distanced itself even further from its former peers on Lovehatetragedy, which comes out June 18. Aside from a rapped section in the first single, “She Loves Me Not,” and a few half-spoken vocal lines in various other songs, there’s nothing on the… Read more »

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Ashanti LP Holds #1 As Goo Goo Dolls, Neil Young Debut


For the second week in a row, Ashanti, the new princess of R&B, will lord over the Billboard 200 albums chart. Her self-titled debut sold nearly 250,000 copies, according to SoundScan figures released Wednesday (April 17), enough to keep Celine Dion’s A New Day Has Come at #2 on sales of more than 225,000 copies. Now That’s What I Call Music! Vol. 9, featuring songs by Pink, Ludacris and ‘NSYNC, moves up one spot to #3 after selling over 140,000 units. Entering at #4 are the Goo Goo Dolls, whose Gutterflower sold more than 100,000 copies in its first week.… Read more »

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Nickelback, Krall Top Juno Awards


Chart-topping modern rock act Nickelback and jazz pianist/vocalist Diana Krall snared three trophies each at Canada’s Juno Awards last night (April 14) in St. John’s, Newfoundland. Nickelback grabbed Junos for best group, best single for “How You Remind Me” and best rock album for “Silver Side Up” (Roadrunner). Krall picked up Junos for best album and best vocal jazz album for “The Look of Love” (Verve), and the best artist honor. The event was broadcast on the nationwide CTV network. In winning the best artist trophy, Krall beat out Leonard Cohen, Nelly Furtado, Amanda Marshall, and Garou, a one-time busker… Read more »

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WWF And Hard Rock Go Together Like Bizkits, Gravy


Those WWF Smackdown spots just wouldn’t be the same without P.O.D.’s “Alive,” Creed’s “My Sacrifice” and Kid Rock’s “Cocky” blaring in the background. In many cases, shots of wrestlers powerbombing, chokeslamming and clotheslining one another are more captivating than the images in real rock videos. Let’s face it, loud rock and wrestling go together like salted bacon and farm-fresh eggs, the aggressive tones and violent visuals feeding off each other, creating a charged symbiosis of pumping testosterone. With over-the-top sound and sight, all you need is a sweat-and-blood-soaked rag under your nose to create the ultimate sensory experience. “Wrestling and… Read more »

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Stars Raise Minority AIDS Awareness


Rap and R&B songs and videos often glorify sexy lifestyles without any safe-sex caveats. But on Tuesday, some of the genres’ biggest stars will perform at “UrbanAID2,” a benefit concert to raise awareness about AIDS among blacks and Hispanics. “Specifically in terms of AIDS, no one has done enough and we all could do more,” said hip-hop mogul Russell Simmons, co-chairman of the event with Sean “P. Diddy” Combs. The concert, to be held Tuesday night at the Beacon Theatre, will feature rappers Combs, Jay-Z, Fat Joe and Ja Rule, along with singers Musiq, Ashanti, Alicia Keys and the hip-hop… Read more »

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'Gigantic' Film Looks Under They Might Be Giants' Mink Coat


Few bands have a résumé as extensive as the one belonging to They Might Be Giants, so it’s no wonder their music should make perfect fodder for a documentary. In their 20 years together, the quirky duo of John Linnell and John Flansburgh have successfully telemarketed themselves into underground celebrity, composed scores and theme music for television and film, and won a Grammy (for “Boss of Me,” the theme to “Malcolm in the Middle”), while recording seven studio LPs and a slew of EPs, live albums and singles. Flansburgh even found time to moonlight as a video director, helming clips… Read more »

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Claim Against Stevie Wonder Rejected


A federal appeals court rejected a claim that entertainer Stevie Wonder violated a copyright with his recordings of a song titled “For Your Love.” The 6th U.S. Circuit Court of Appeals ruled on Wednesday that Derrick Coles, who claimed he had prior copyright ownership of the song, and Gwendolyn Daniles, who said Coles conveyed his interest in the song to her in 1991, failed to prove their allegations. The appeals court upheld a Cleveland federal judge’s July 2000 ruling that Coles and Daniles must pay $173,871 in attorney fees and $23,884 in other costs to Wonder and co-defendants Motown Record… Read more »

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'O Brother' Soundtrack Fends Off B2K To Hold #1 Slot


It took the “O Brother, Where Art Thou?” soundtrack over a year on the charts to make it to #1, but now that it has, it can’t be stopped. For the second week in a row, the Grammys’ Album of the Year will take the top position on the Billboard 200 albums chart, selling nearly 150,000 copies, according to SoundScan figures released Wednesday (March 20). The self-titled debut album by boy band B2K will come in second place on next week’s chart, selling nearly 110,000 copies, and Alan Jackson will reclaim top-three status after falling into the still-formidable fifth slot… Read more »

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Brandy Blocked From #1 Slot By 'O Brother' Soundtrack


The man of constant sorrow should have plenty of cause to celebrate, though Brandy might be kind of crabby. After 63 weeks on the Billboard 200 albums chart, the “O Brother, Where Art Thou?” soundtrack will levitate to #1, beating out the R&B crooner, who seemed headed for a chart-topping debut. Last week, O Brother, which has sold over 4 million copies since its December 2000 release, jumped from #15 to #2 after being graced with a Grammy for Album of the Year. While the album will move up on the chart with sales of 160,000 copies, it sold around… Read more »

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Epic Cues Up Gospel Deal with Integrity


Sony Music imprint Epic Records is maneuvering to cash in on the industry-defying growth in the gospel music scene, inking a reciprocal marketing and distribution venture with Integrity, the largest independent gospel music company in the U.S. Under terms of the deal, Epic will pipe releases from Integrity labels in the U.S., Europe, Latin America, Asia, Australia and New Zealand through the major’s worldwide marketing and distribution machine. In turn, Integrity will market and promote select Christian releases from Epic and fellow Sony division Columbia Records specifically to the Christian bookstore market. The first release set for this treatment is… Read more »

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