As is the nature of the content cycle, we’ve laughed, we’ve cried, and now we’re waiting for what comes next. This month we say a heavy-hearted goodbye to a lot of horror and action titles across Netflix. Among the most devastating losses are Jumanji, La La Land, The Terminal, and Sausage Party. So don’t miss your chance to watch them one last time before November 1. As we bid these titles farewell, we also get a fresh new array of titles coming to the streaming behemoth across the month. Here’s everything leaving Netflix this November. Leaving November 1st – 8th:… Read more »
Ahead of their support slot on Silverstein’s 25 Years Of Noise Tour alongside Thursday and a yet-to-be-announced group, Split Chain has unleashed their punk-fueled take on Type O Negative’s “I Don’t Wanna Be Me.” The track stands as one of Type O Negative’s most iconic songs (it is their most streamed release on Spotify), featured on their 2003 full-length album Life Is Killing Me. Combining the Peter Steele-led band’s dark doom metal with surprisingly poppier elements, the track is a more accessible approach to their gothic metal sound. Split Chain leans into the poppiness of the track while injecting it… Read more »
Win 2 Tickets To When We Were Young If you’re having trouble accessing the giveaway, please visit HERE. idobi Radio has partnered with When We Were Young Fest to give away a pair of tickets to the SOLD OUT Saturday, October 19 event featuring headliners My Chemical Romance and Fall Out Boy. Enter to win the tickets by downloading the idobi app and following the instructions listed above. Pretty Girls Make Graves End 17 Year Hiatus After their emotional farewell in their hometown of Seattle, WA, on June 9, 2007, Pretty Girls Make Graves are making their long-awaited return to… Read more »
Nothing lasts forever, not even Netflix’s content licenses. And since all good things must end, now’s the time to binge that movie you’ve had on your watchlist but never got around to. Or find something new to add to it. You do you. Here’s everything coming and going from Netflix this month. Happy streaming! Leaving Netflix on October 1st – 8th: Leaving October 9th – 16th Leaving October 17th – 24th Leaving October 25th – 31st Arriving on Netflix on October 1st – 8th Arriving October 9th – 16th Arriving October 17th – 24th Arriving October 25th – 31st
Ahead of the release of their upcoming LP with you in spirit, Balance And Composure dropped the latest single from the album “any means.” The track is the fourth single from the upcoming release following “cross to bear,” “sorrow machine,” and “believe the hype.” Leading up to the release, Jack Appleby noticed an interesting post to tease the new song. The band posted a photo of a single New Balance shoe ahead of the drop to say that new Balance And Composure content was coming. Like its predecessors, “any means” features melodic post-punk vibes balanced by sincere lyricism as Jon… Read more »
Pop-punk music is overflowing with nostalgic and new acts, and they all coexist to create a community for the misfits, misunderstood youth, and adults who want to feel heard. We all can find something to love about the genre’s confessional lyrics, ear-worm choruses, and fast-paced rhythms. Northbound, the moniker of Jonathon Fraser, is a new artist embodying everything beloved about pop-punk on his latest album, Juniper, which just came out on July 12 via Smartpunk Records. The release encapsulates the glory days of early 2000’s pop-punk nostalgia combined with the production quality and modern-day edge of 2024’s brightest scene artists.… Read more »
There aren’t many bands contending with The Killers for the widest breadth of sonic profile. Since the day that cage door opened, they’ve strayed worlds away from their grit-and-glam ethos of post-punk revival. The trek’s seen them over the washboard roads of heartland rock, through flashbangs of synth-driven pop, and the wildflower fields on the softer side of folk. And still, now 20 years removed from their Hot Fuss debut, they continue to fire off their early staples with the same love-scorned ferocity that had first lit the fuse. In celebration of the bi-decadal anniversary today, June 7, we reached… Read more »
It’s the most wonderful time of year once more. Eurovision is back, and it continues to get bigger and more prominent worldwide. Though it is known as the institution that turned ABBA into superstars and showcases the wildest and weirdest creations that Europe has to offer, there is still room for some rock ‘n’ roll in the ranks. Over the years, pop has been the predominant genre in which countries project their entries. Though guitars have been making their way slowly but surely, they sometimes take the whole competition by storm. From masked monsters and nu-metal stalwarts to glam-rock superstars,… Read more »
My guest this week is my old friend, old touring mate and fellow Bassist Matt Riddle from Fat Wreck Chords recording artists No Use For A Name. Sum 41 and No Use For A Name did a huge 8-9 week US tour in 2003 so you can bet we talk a lot about the fun and funny times we had on that. On the other side of course we had to talk about the tragic death of No Use For A Name singer Tony Sly as well. The emotions run deep in this one! Don’t miss it.
Maggie Lindemann makes a captivating return with her new 8-track EP, HEADSPLIT. The EP’s closing masterpiece is accompanied by a rebellious, angst-fueled video for the spotlight track, “taking over me.” The single, featuring Jasiah, pays homage to the iconic 2003 coming-of-age film Thirteen. The track and its accompanying video instantly transports viewers to the vibrant chaos of the LA streets, with a cacophony of cityscape soundbites setting the scene. Lindemann and her girlfriends navigate the city with effortless cool, their steps synchronized to the blaring horns and bustling atmosphere. As the music kicks in, the backdrop of city sounds gives… Read more »
