Lauren Boebert pushes back against a House Ethics complaint alleging inappropriate relationships with staffers and a reported $200,000 payment to a former aide. We break down what’s actually alleged, what Boebert and the people named in the complaint are denying, and why the ethics questions go beyond the more sensational headlines.
CNN, MS NOW, and Politico sue the Trump administration after being barred from the White House, while major television networks refuse to fill CNN’s spot in the presidential press pool. We look at the First Amendment fight, the 1977 Sherrill v. Knight precedent, and the surprising return of the same judge involved in CNN’s 2018 Jim Acosta case.
Joe Rogan criticizes some of Donald Trump’s most devoted supporters as “rabid” and “f***ing nuts,” despite endorsing Trump in 2024. We dig into Rogan’s increasingly complicated political identity and his recent criticism of both Trump and Bernie Sanders.
Trump’s approval rating falls to 32% in new Reuters/Ipsos polling, with some of the steepest declines coming from Republicans dissatisfied with the economy and cost of living.
The FBI warned immigration agents about an alleged scheme involving fake “tradwife” dating profiles designed to lure and potentially dox law-enforcement officers. The catch: the FBI itself described the intelligence as not fully evaluated, and the memo did not identify any confirmed victims.
Poland warns that Russia could deliberately launch ambiguous drone or missile attacks against NATO countries and then claim they were accidental, potentially forcing NATO to decide how to respond to increasingly dangerous “gray-zone” incidents.
More than 70 people are involved in a proposed lawsuit against Meta over claims that its smart glasses captured highly private footage and that some AI-related imagery may have been reviewed by human workers. We get into the much larger consent problem created by wearable cameras and AI.
On The Horse’s Mouth, Red Leather and WesGhost join the show to talk about their new collaborative project REDGHOST, their debut EP WASTEDYOUTH, the strange reality of becoming famous while remaining anonymous, building music for outsiders, balancing accessibility with mystery, and taking the project
LINKS
https://instagram.com/itsnewstous
https://tiktok.com/@itsnewstous
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]]>Lauren Boebert pushes back against a House Ethics complaint alleging inappropriate relationships with staffers and a reported $200,000 payment to a former aide. We break down what’s actually alleged, what Boebert and the people named in the complaint are denying, and why the ethics questions go beyond the more sensational headlines.
CNN, MS NOW, and Politico sue the Trump administration after being barred from the White House, while major television networks refuse to fill CNN’s spot in the presidential press pool. We look at the First Amendment fight, the 1977 Sherrill v. Knight precedent, and the surprising return of the same judge involved in CNN’s 2018 Jim Acosta case.
Joe Rogan criticizes some of Donald Trump’s most devoted supporters as “rabid” and “f***ing nuts,” despite endorsing Trump in 2024. We dig into Rogan’s increasingly complicated political identity and his recent criticism of both Trump and Bernie Sanders.
Trump’s approval rating falls to 32% in new Reuters/Ipsos polling, with some of the steepest declines coming from Republicans dissatisfied with the economy and cost of living.
The FBI warned immigration agents about an alleged scheme involving fake “tradwife” dating profiles designed to lure and potentially dox law-enforcement officers. The catch: the FBI itself described the intelligence as not fully evaluated, and the memo did not identify any confirmed victims.
Poland warns that Russia could deliberately launch ambiguous drone or missile attacks against NATO countries and then claim they were accidental, potentially forcing NATO to decide how to respond to increasingly dangerous “gray-zone” incidents.
More than 70 people are involved in a proposed lawsuit against Meta over claims that its smart glasses captured highly private footage and that some AI-related imagery may have been reviewed by human workers. We get into the much larger consent problem created by wearable cameras and AI.
On The Horse’s Mouth, Red Leather and WesGhost join the show to talk about their new collaborative project REDGHOST, their debut EP WASTEDYOUTH, the strange reality of becoming famous while remaining anonymous, building music for outsiders, balancing accessibility with mystery, and taking the project
LINKS
https://instagram.com/itsnewstous
https://tiktok.com/@itsnewstous
Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
]]>Next Step Recommendations:
What We're Listening To:
Subscribe to Add To Library on Apple Podcasts and Spotify
Follow Add To Library on Facebook, Instagram, and Bluesky
Tune in live Fridays @ 9pm ET for new episodes every week!
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]]>Next Step Recommendations:
What We're Listening To:
Subscribe to Add To Library on Apple Podcasts and Spotify
Follow Add To Library on Facebook, Instagram, and Bluesky
Tune in live Fridays @ 9pm ET for new episodes every week!
Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
]]>In this episode, Ryan talks with Thomas about his solo music, his metal band, touring, real estate, working at a car dealership, and raising four kids.
The question that emerges in this conversation, and is beginning to surface throughout the series, is: What does it really mean to build a creative life? And what can that look like?
Behind the music, acting, art, or performance, there is often a collection of jobs, side hustles, responsibilities, and relationships that make the work possible.
Welcome to Also Known For Minis, presented by Xaca Cantina Chips.
Hosted & Executive Produced by Thomas Nicholas
Opening announcer: Jaret Reddick of Bowling for Soup
Featured music: “My Generation” by the Thomas Nicholas Band
Producer & Narrative Strategy: Aaron Calafato
Editorial: Brooks Borden
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]]>Addison shares how Showing Teeth grew from videos of her practicing screams and vocals online into a full-fledged band, despite never having a calculated plan for turning social media into a music career. She talks about growing up in Kentucky, discovering heavy and progressive music, starting out as a bass player, and eventually deciding to stop trying to fit into other people’s bands and make exactly the music she wanted to hear.
They dig into Showing Teeth’s genreless approach to songwriting, pulling inspiration from metalcore, prog, electronic music, industrial, black metal, EDM and beyond — all while prioritizing emotion over fitting into a specific scene or sound.
Addison also tells the story of how Dan Book discovered her through TikTok and ultimately used Periphery drummer Matt Halpern to get her attention. What started as mentorship and collaboration quickly developed into a creative team and friendship surrounding Showing Teeth.
The conversation also covers Addison’s transition from performing online to becoming a live frontperson, playing early shows with Beartooth, building a live band from scratch, preparing for her first real tour, handling online criticism, and navigating the pressure of suddenly working alongside musicians she grew up admiring.
Plus, Addison explains why she’d rather work at Zumiez than write music she doesn’t believe in, why Showing Teeth is only going to get weirder, and why Whitechapel’s Phil Bozeman is officially the “Deathcore Justin Bieber.”
🚐 Join The Road Crew (Patreon)
Support the show, unlock exclusive content, and keep the tour rolling:
👉 www.patreon.com/lflipod
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💙 Mental Health ResourcesFeeling the weight? You’re not alone.
Text "lateforloadin" to 1-512-647-2871 for free, confidential support via Heart Support.
Want to give back? Volunteer: heartsupport.com/volunteer
SNDCHK SESH, mental health for music industry professionals:
📲 Follow Us
• Instagram: @LateForLoadIn
• Chris Davis: @Chris_TGI
• Josh Korel: @JoshKorel
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]]>We dive deep into why "emo" was once treated as a dirty word, how underground bands rebuilt the scene from basement shows to 5,000-capacity venues, and the crucial responsibility established bands have to pay it forward to the next generation. Plus, we debate what separates the 4th and 5th waves, the role of nostalgia in modern festivals, and our ultimate dream lineup.
Pre-Order Emo Revival: https://lnk.bio/emorevivalbook
JOIN THE CLUB!
Youtube: https://emosocial.club/youtube
Instagram: https://emosocial.club/instagram
TikTok: https://emosocial.club/tiktok
Twitch: https://emosocialclub.tv
Discord: https://emosocial.club/discord
Facebook: https://emosocial.club/facebook
Twitter: https://emosocial.club/twitter
Support the Show:
It was never just a phase. We connect the Myspace era to today's waves.
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]]>We dive deep into why "emo" was once treated as a dirty word, how underground bands rebuilt the scene from basement shows to 5,000-capacity venues, and the crucial responsibility established bands have to pay it forward to the next generation. Plus, we debate what separates the 4th and 5th waves, the role of nostalgia in modern festivals, and our ultimate dream lineup.
Pre-Order Emo Revival: https://lnk.bio/emorevivalbook
JOIN THE CLUB!
Youtube: https://emosocial.club/youtube
Instagram: https://emosocial.club/instagram
TikTok: https://emosocial.club/tiktok
Twitch: https://emosocialclub.tv
Discord: https://emosocial.club/discord
Facebook: https://emosocial.club/facebook
Twitter: https://emosocial.club/twitter
Support the Show:
It was never just a phase. We connect the Myspace era to today's waves.
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]]>Kravitz and the band also reflect on how letlive.’s message has carried across generations, with fans both new and lifelong rediscovering their art in an era where authenticity often takes a backseat to algorithms. They call out the commodification of art through corporate greed, the dehumanizing surprise-drop culture that has been perpetuated, and the magic that's lost when music becomes just content focused on streams, likes, clicks, swipes, and more.
Whether you've been screaming to their music since day one or you're just discovering the fury and beauty that lives in letlive., this episode taps into something that is timeless beyond the end of the group. Because with this band, it's never just a show but a moment captured in time. And yeah, someone's probably going to have to replace that drum kit at the end.
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]]>Kravitz and the band also reflect on how letlive.’s message has carried across generations, with fans both new and lifelong rediscovering their art in an era where authenticity often takes a backseat to algorithms. They call out the commodification of art through corporate greed, the dehumanizing surprise-drop culture that has been perpetuated, and the magic that's lost when music becomes just content focused on streams, likes, clicks, swipes, and more.
Whether you've been screaming to their music since day one or you're just discovering the fury and beauty that lives in letlive., this episode taps into something that is timeless beyond the end of the group. Because with this band, it's never just a show but a moment captured in time. And yeah, someone's probably going to have to replace that drum kit at the end.
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